New Visions Writers Showcase Returns

After a very successful installment of the New Visions Writers Showcase in March, which featured slam poet William James, the Writers Showcase will return on Saturday, May 12 at 7 p.m. with a line-up of three prose writers and three poets. Once again, the event is free and will take place at New Visions Studio and Gallery, located at 201 Vine Street in Scranton.

The event will feature readings from Anne Henry, Gary Ryman, Bethany-Marie Gagas, David Elliott, Patricia Florio, and Tom Blomain.

Here is some more info about each reader:

Anne Henry recently completed her M.F.A. in creative writing from Wilkes University, and she is currently conducting a creative writing workshop for adults in a continuing education program and runs summer workshops for teens. As she searches for an agent for her memoir, she is also hard at work on her novel, Truth Be Told.

David Elliott is a professor of English at Keystone College, and a longtime member of the Mulberry Poets and Writers Association. He is the author of a book of haiku entitled Wind in the Trees, and the collection Passing Through. His work has appeared in a number of journals and anthologies.

Gary Ryman is the second of three generations of firefighters, and the author of the book Fire Men: Stories From Three Generations of a Firefighting Family. He is a past chief of the Scott Fire Company in Lackawanna Count, and he is currently completing his MA in American History.

Bethany-Marie Gagas is currently finishing her Master’s of Teaching degree from Marywood University, and her poetry has appeared in local journals.

Patricia Florio is the author of the book My Two Mothers. She is also a travel writer for stripedpot.com. She graduated with an M.F.A. from Wilkes University, focusing on creative non-fiction. Currently, she lives on the Jersey Shore and conducts a reading series there. In 2012, she was a Normal Mailer Fellowship finalist.

Tom Blomain is the current president of the Mulberry Poets and Writers Association, He is the author of Gray Area and the forthcoming collection of poems Blues From Paradise (Foothills Publishing). He is producer of Graffiti, a poetry and music program on Electric City Television, for which organization he serves on the Board of Directors. A graduate of Keystone College and Dickinson College, he resides in the Hill Section, and is currently working on a collection of original songs with his group, Nobody Fancy.

Hope to see you there!

Fiction Gets Snubbed

In mid-April, the 2012 Pulitzer Prize winners were announced, covering photography, journalism, poetry, and non-fiction, but for the first time in 35 years, no award was given to a fiction writer.  According to an article by Publishers Weekly, this was the first time the board did not grant an award to a fiction writer since 1977, and only the ninth time this has happened since 1918, when the prize was first awarded.

The article also mentions that the fiction finalists were Train Dreams by Denis Johnson (Farrar, Straus and Giroux), Swamplandia! by Karen Russell (Knopf), and The Pale King by David Foster Wallace (Little, Brown).  Susan Larson, Maureen Corrigan, and Michael Cunningham were the fiction judges.

After researching this a little more, I could find no reason why a fiction award was not given out. Is it some sort of reflection  and statement on the state of the American novel and contemporary American fiction? Maybe we’ll never know, but Larson did tell NPR that she and the author jurists were “shocked and angry” that the fiction category was not granted an award.

As for poetry, Tracy K. Smith won for her collection Life on Mars. Smith just turned 40 and currently teaches at Princeton. Her book was published by the well-known indie publisher Graywolf Press.

For a full list of the winners, click here.

A Little Treasure in Binghamton

More and more, independent bookstores are becoming an endangered species, thanks to Amazon and some other factors. But last night, I had the pleasure of partaking in a reading at a great indie bookstore as part of the launch party for the new issue of Harpur Palate, in which my poem “After Work” appears. RiverRead Books in Binghamton is located at 5 Court Street, right in the downtown, and only minutes from the SUNY Binghamton’s campus, if you’re traveling by car. Each section of the store is fairly expansive, and they have a section dubbed “slightly used books” in which you can find some classic literature and also some more contemporary works for a cheap price.

From what I observed last night, RiverRead Books is also a vital part of the community, hosting several events beyond the Harpur Palate launch party. If you are tri-state area writer, I suggest trying to book a reading there with local writers. Last night, we had around 70 people at the reading, including many college students, but I think the bookstore also worked hard to promote the reading.  If you are in semi-close proximity to Binghamton, I recommend visiting the bookstore and supporting the local business.

You can learn more about RiverRead Books by visiting its website here. To check out Harpur Palate, click here.

What Should M.F.A. Programs Be Teaching?

Lately, I have been doing some research into M.F.A. programs, other than the one I attended, and what these various programs offer. I am doing this because more and more students I had or currently have in creative writing classes are asking me about the value of an M.F.A. and what such a degree will offer. I do think a lot of the low-residency programs are cash cows that will accept almost anyone and don’t have to worry about paying faculty full-time. But I also believe there are strong M.F.A. programs with faculty that care about the students and generally want to help them enhance their writing skills and expand their knowledge of literature. I got a lot out of the M.F.A. program I attended at Wilkes University. It certainly widened my scope of literature, and it improved my writing.

That said, I think M.F.A. programs need to consider what they are promising students. A lot of students come out of the programs hoping to immediately land full-time jobs in academia, and for the final few semesters, certain M.F.A. programs only offer a teaching track. But full-time positions at the college-level are scarce, and they’re becoming even rarer due to budget cuts across several states. It also seems like most openings now require a Ph.D. So perhaps M.F.A. programs should offer alternatives, other career choices, such as publishing, or even freelance work. There are several freelance jobs out there that can earn a writer income. Another aspect of the writing process M.F.A. programs should consider teaching more is the business of publishing and signing a contract. It is true most M.F.A. students generally want to strengthen their writing skills and learn about influential movements in their genre of study, but they also want to publish. They want to see their name in print and get a book out there.

As I was doing research, I came across a blog post that argues M.F.A. programs do not do enough to teach young writers the business aspect of publishing, especially the issue of contracts, cover letters, agent letters, etc. Because of that, sometimes young writers get swindled and sign a poor contract.

Here is a link to the blog post. The post was published in November 2010, after a story about defamed author James Frey, who was visiting Columbia and other universities and basically getting M.F.A. students to sign contracts to help him with a book packaging/marketing project. The article points out that before these students interacted with Frey, who became famous after lying about incidents in his memoir, they should have had classes on understanding publishing contracts.

The blog post serves as a reminder that a lot of M.F.A. programs should broaden their course material and give students access to information about the nature of the publishing business, especially if some students are more interested in publishing than teaching.

Harpur Palate Launch Party

If you’re looking for something to do this weekend, you should celebrate National Poetry Month by checking out the Harpur Palate Launch Party.

Harpur Palate is a journal run through the graduate English program of SUNY Binghamton. Its past issues have included new and established voices, including Sherman Alexie. This event will feature readings by four contributors to the new issue, including  William Cordeiro, Anna Catone, Benjamin Nadler, and I,  as well as the winner of an intern-sponsored writing contest.

Refreshments will be served, including wine, cheese and cracker platters, and desserts including a chocolate fondue fountain. This event will be held at RiverRead Books in downtown Binghamton, on Court Street. It starts at  7 p.m.

Blogs as Literature?

Recently, the editors of the New York Times posed an interesting question on their blog, Paper Cuts. Are blogs literature? The question was posed in response to the latest book by the Portuguese novelist José Saramago’s entitled The Notebook, a collection of blog posts he created from September 2008 to August 2009, encouraged by his family and friends. According to the Times, The Notebook is mostly a collection of mini essays, shorter than most journalism articles. By the end of their blog post, the editors answer their own question by stating that no, blogs are not literature. They base their conclusion on a belief that most blog posts are “too topical” and “too fleeting” to count as literature. Their write-up concludes by stating Jose gave up on blogging after about a year because he started a new novel and wanted to dedicate all of his time to that.

A lot of the blogs I have come across offer interviews with other writers, blurbs about various readings, and responses to magazine and journal articles, and of course, politics. But are there any well-known writers out there that use a blog to post sweeping, riveting narrative essays or short stories? Are there poets out there that post finished work on a blog? I have always hesitated to do so because I am more interested in sending that work off to journals, and some editors will not touch a poem if it has appeared anywhere else, including on a blog.

But as blogging continues to grow in popularity, will how we blog change? Will writers use this particular medium to post drafts, revisions, and finished products of a longer work? Will they gather various blog posts and publish them as a collection that will be considered “literature?” The experiment did not work for José Saramago, but could it work for another writer one day?

National Poetry Month Readings

I’m happy to announce that I’ll be taking part in two big readings for National Poetry Month. The first will take place this Thursday, April 19 at the Library Express Bookstore. It starts at 6:30 p.m. I’ll be reading with local poets Scott Thomas and Dawn Leas, as well as John Amen, author of three collections of poetry and editor of the award-winning journal The Pedestal Magazine. The event is free and open to the public, and we will have books for sale.

There has been some nice press about this reading. Go Lackawanna ran a story recently about it and all of the literary events the Library Express has hosted. Check it out here. WVIA’s ArtScene radio program also ran an interview Scott, Dawn, and I did with Erika Funke. You can listen to the interview here. It is the second link on the page.

The second reading I’m doing for National Poetry Month will take place on Friday, April 27. It is the launch party for the new issue of Harpur Palate, in which my poem “After Work” appears. I’m reading with three or four other poets whose work also appears in the issue. That event will begin at 7 p.m., and it will take place at RiverRead Books in Binghamton New York. It is also free and open to the public.

That store is also hosting Christine Gelineau this Friday at 6:30 p.m. She is a fantastic poet, and if you are in the area, you should check out her reading.

Beyond National Poetry Month

It is April again, the one month of the year when schools and other institutions care about poetry and invite poets to give readings, lectures, or workshops. About a year ago, I was asked to write something regarding National Poetry Month for the blog/website The Write Life, which is run through the Wilkes University M.F.A. program. An idea for an article came to me after I saw that Oprah had dedicated a whole issue of her magazine, O, to poetry for April, highlighting mostly mainstream poets such as Billy Collins and Mary Oliver. The magazine drew some debate and criticism, including an article written by David Orr for the New York Times. The main point of my article was to weigh the pros and the cons of National Poetry Month and to stress that poets and poetry lovers need to look beyond National Poetry Month in terms of getting people to care about the genre. This involves teaching workshops in the community, sharing work of other poets at readings, and blending poetry with other art genres. The article was first published a year ago, but it is still relevant.

You can check out my article here.  Let me know what you think in terms of looking beyond the month of April and getting people to care about poetry for more than 30 days a year.

American Poet

I just finished a novel that I want to recomend. It is entitled American Poet, written by Jeff Vande Zande, who started out writing poetry but now focuses on fiction. The novel centers around Denver Hoptner,  a recent college grad frustrated with his hometown of Saginaw, MI, as he  struggles to find a job with his B.F.A. in poetry. Anyone who graduated college with a fine arts degree can probably relate to the protagonist’s sense of isolation and doubt.

The novel is loaded with well-crafted scenes that anyone involved in a writing community can relate to. One of my favorites is an open mic scene that spans a few pages and includes a writer who insists on being called Coyote and howls after every poem. I am sure most of us have suffered through open mics just as painful, if not more so.  In another memorable scene, Denver is interviewed by a bank manager for a teller position, and the manager pokes fun at his B.F.A. in poetry, saying the poetry stuff is a real “head scratcher” to most people. The employer’s comments follow a moment in which Denver tries to explain to the banker a course he took in scansion, making chopping motions in the air with his hands to try to explain dividing poetic lines into feet and leaving Denver to comment, “The face he made suggested he was trying to figure out what mental disorder I might have.”

The story also highlights father/son relationships, specifically the relationship Denver has with his blue-collar father, which evolves as Denver changes for the better throughout the novel. The book also cautions against writing programs that breed writers who care solely about publishing credits rather than building community and supporting other writers.

I am writing a review of the book that will eventually appear over at PANK. When the review is live, I will post a link on here. Until then, you should check out the book, which is available here.