heavy cuts to education

Usually, I only write about poetry on this blog, but I want to take some time today to address the steep cuts in education Pennsylvania Governor Tom Corbett is proposing. You can find details about the budget by clicking here.  But basically, he wants to cut state funding in half for state-owned universities or state-affiliated universities. This constitutes a lot of major schools across the state, including Kutztown, West Chester University, Penn State, Temple, Pitt, and dozens of others.

Yes, it is true that Corbett’s budget as stands would not raise taxes, but at what cost? Is slashing education the way to go here? If he is serious about reducing the deficit, controlling spending, and not raising taxes, then why not tax the gas companies now drilling across our state?

This issue is so personal to me because I benefited from the state university system. I did my undergraduate work at West Chester University and had a stellar education. My class sizes, especially my creative writing courses, were no larger than 15-20 students. Furthermore, I was able to attend college because as a kid from a middle-class family, the state schools were my best options in terms of affordability. I am greatly concerned that if this budget passes as is, it will lead to a spike in class sizes  and in tuition. It will cut down on the one-on-one time students can have with instructors, and it will also make college far less attainable for low-income and middle-class families.

There is a letter writing campaign going on now to dissuade those in Harrisburg from passing this budget as is. I wrote a letter to Gov. Corbett last night. His contact info can be found by clicking here.  

Hey musicians and music fans!

My friend Conor O’Brien, one of the head honchos at the Vintage Theater in downtown Scranton, sent me a message today regarding an art exhibit they’re having during the month of May that will highlight the musical history of the Scranton/Wilkes-Barre area. Basically, he needs some help collecting memorabilia from any of the venues that used to exist around here-Proofrocks, Cafe Del Soul, Cafe Metropolis, Homebase. The goal of the exhibit is to focus on the “history and energy that is the area’s music scene.”

To pull this exhibit off, they’re going to need old flyers, pins, photos, shirts, and any other merch from past shows. I have a folder of flyers, photos, pins, and posters of punk rock bands that swung by Home Base, Metro, Del Soul, and some of the old venues. I’m going to lend some of that stuff to this exhibit. But again, if you have anything, please help out with this event. This area always has had a healthy, vibrant music scene, and some bigger bands have swung through here, too. There have also been bands that came out of this music scene, including Title Fight, Tigers Jaw, the Holy Mess, and my friends in the Menzingers, that have gone on to gain national attention in the punk rock/indie rock scenes. It would be nice to showcase that.

To find out more about the exhibit and how to help, click here.

Radio Interviews and New Poems

A few weeks ago, I had the pleasure of sitting down for an interview with Erika Funke, host of WVIA Radio’s ArtScene program. We mostly talked about my latest poetry chapbook, Front Man, and some new material I’m writing. I had a blast sitting in the studio and talking poetry with her.

The interview will air on 88.9 FM in the Scranton/Wilkes-Barre area this Thursday (March 3) at 11 a.m. They will rebroadcast the interview on Sunday, March 6 at noon. If you aren’t in the area and want to listen to it, you can listen to it online by clicking here.  The interview will also be posted as a podcast by Monday. The podcast will be available here.

I again want to thank Erika Funke for this wonderful opportunity.

In addition, I want to mention that one of my new poems, “Dive,” was published this week by the national blog Young American Poets. You can read the poem by clicking here.  I mentioned Young Amerian Poets a few months ago, and I like it a lot because they give voice to poets born after 1972, new voices in contemporary American poetry.

With or without music?

The Best Damn Creative Writing Blog recently posted an entry regarding the writing process, exploring whether or not it’s helpful to listen to music while one writes. For the author of the blog post, music is too distracting while writing and causes her to hum along and crank the speakers instead of writing. I have the same issues, which may be surprising considering my first chapbook of poems, Front Man, consists of narrative poems about a front man of a punk rock band. But I can promise you not a single one of those poems were drafted or revised while I had music cranking through I-pod headphones or pumping through my turntable’s speakers. Like the blog post’s author, I get too distracted.

My writing process is pretty strict in the sense that I do most of my writing in the early morning hours. I try to get in a good half hour of journaling, drafting, and revising before leaving my apartment to teach. The rest of my writing is done in the evening, after dinner, and again, without music or distractions.

I still collect records and catch live bands when I can (though it’s less and less as I get older), but for me, music is separate from writing. Most of what I listen to now is on vinyl, so I have to carve out a chunk of time to listen to those records, just as I carve out time during the day to write.

Everyone’s writing process is different. I’ve had students in creative writing classes that need to plug their ears with I-Pod headphones while we write in class. For me, I need silence after I spin the records and I’m ready to write.

Some plugs

As an Orlando Magic and NBA fan, I’ve had a rough couple of days as my poor team becomes more and more irrelevant because their rivals are adding superstars as the playoffs near and the Magic are stuck with what they have. So, to get my mind off of that and to share some positive poetry news, I wanted to make some shameless plugs today. : )

First, I wanted to announce that new poems of mine, “Dive,” “Gypsy,” and “Old Friend,” were published by the online literary journal WritingRaw.com, which publishes book reviews, poetry, and fiction.  You can access the poems by clicking the link to the website and scrolling down on the page, or you can read each poem in the PDF format.

Poem 1

Poem 2

Poem 3

In addition, I’m also going to take part in the OutLoudLit reading series again this Saturday in Mechanicsburg, PA. I had a fantastic time reading at the event in December, and I look forward to the variety of writing that will be featured this time around. The reading will take place at 6 p.m. at the Gallerie, 13 E. Main Street, right in the downtown. The theme for Saturday’s event is “love gone wrong,” so I look forward to showcasing some new poems that fit into that theme from the draft of my second manuscript. I’ll also read a poem or two from Front Man that also fit that theme.

Here is a full list of the readers and their genres:

Maria Snyder (fiction)
Chet Williamson (fiction)
Brian Fanelli (poetry)
Amye Archer (memoir)
William D. Prystauk (screenplay)
Curtis Smith (fiction/essay)
Rick Fellinger (fiction)
Susan Marvel Ferrer (play)

Busy Week for Poetry

Last week featured two solid poetry events in the Scranton area that I’ll recap quick. I hope this is the start of more poetry-oriented events coming to this area.

First, Carolyn Forché came to the University Scranton on Wednesday evening to deliver a lecture about Poetry of Witness. She also read some poems from her second book, The County Between Us, which was published in 1981 with the help of Margaret Atwood.  The book deals with her time spent in El Salvador during the Salvadoran Civil War, so the poems fit in with the lecture she gave on Poetry of Witness. I don’t want to recap the whole lecture, but I do want to point out some points I found interesting. First, I agree with her statement that when poets sit down and immediately say they’re going to write a political poem or poem with a message, it never turns out that well. Poetry of Witness personalizes the political and focuses on what the poet experienced. So, for instance, The Country Between Us contains poems describing some of the atrocities Forché witnessed in El Salvador. They are personalized, first-hand accounts.

She was also optimistic about the opportunities for social change, due to social media. She pointed to Egypt as an example, how those protests were organized using Twitter and Facebook. She also pointed out social media allows young people from all over the world to have a dialogue.

The second big poetry event that occurred this week was a  Friday evening performance of Langston Hughes’ 12 moods for jazz entitled Go Ask Your Mama. This event, held at Lackawanna College’s Mellow Theater, featured a live reading of the 12 poems, mixed with jazz music and film from the civil rights movement. Great performance overall.

Finally, I want to mention that my poetry students from a workshop/class at the Vintage Theater will be reading their work this Wednesday,  at 7 pm at the Vintage Theater (119 Penn Avenue). Admission is free, so stop by. Once this first workshop/class concludes, I will be teaching another one at the Vintage Theater, which will also be five weeks. This will most likely begin in May. The price will again be $75, capped at about 5 students. We hope to do a few more, though I’m not sure what my situation will be come this fall.

Poetry Book Review Campaign

The wonderful poetry/activism organization, Split This Rock, is launching a new campaign to get more book reviews of poetry in newspapers throughout the country. The organization first targeted the Washington Post, after the newspaper’s best of 2010 book list didn’t include much poetry. Basically, the organization is launching a letter writing campaign to urge book review editors to give more consideration to poetry chapbooks and full-length collections. I think this is a fantastic campaign and a way to spread the word about poetry books. Here is the information that was sent to me through Split This Rock’s email list.

In response to a special year-end “Best Books of 2010” issue that included an appallingly small number of poetry books, Split This Rock decided it was time to let the editors of The Washington Post’s Book World know that we expect them to publish more reviews of poetry books. Following is an excerpt from the letter we sent on January 14th:
 
To the Editors: We take issue with the gross lack of poetry books included in the Book World’s “Best Books of 2010” list (Dec. 12, 2010). The section (misleadingly) titled “Fiction & Poetry” included 46 fiction titles and only 2 poetry titles. The insinuation that only 2 poetry books in 2010 were worth recommending-and that poetry is some kind of inferior sub-genre of fiction-is appalling, inaccurate, and completely inappropriate for a major literary publication like the Book World. . . . These statistics reflect the dearth of poetry book reviews in the Book World throughout the year, in striking contrast to the vibrancy and diversity of contemporary poetry. . . .We believe that the Book World should be publishing at least one poetry book review each week.
 
This letter was co-signed by several well-known local poets, university professors, leaders of literary organizations, and editors of local presses and literary magazines, including Grace Cavalieri, Kyle Dargan, Carolyn Forché, and E. Ethelbert Miller.
 
We received the following encouraging reply from Book World Editor Rachel Shea:
 
Thank you for your letter. We did have a debate about whether to call the section “Fiction” or “Fiction & Poetry.” We decided on the latter to signal that poetry books were included. In an ideal world, there would have been more, but our coverage of poetry has been limited since Book World stopped being published as a separate section in 2009. We will continue to do as much as we can, with occasional reviews (for instance, Michael Dirda will be reviewing a biography of Andrew Marvell this Thursday) and roundups of collections. In the meantime, may I forward your letter to the letters page? I think it is fodder for discussion among our readership.
 
We have followed up to urge the Book World to commit to publishing at least one full-length poetry review per week, and to devote its limited poetry space to contemporary poets. Please add your voice to the campaign by writing a letter today!

It really doesn’t take long to write a letter to the editor or even send an email to the book review editors of local papers. So why not take part in this campaign?

Valentines Day

Happy Valentines Day! One of the first poets I ever read closely was Edna St. Vincent Millay, and I think she’s appropriate to bring up on this day, since so many of her poems dealt with love, sex, and lust. I was always amazed by her because she dealt with the emotional weight of love or sex and put it in such a tight, restricting form, mostly the sonnet. Here is one of my favorite love poems by her, also a poem that captures the sorrow of loss quite well.

What lips my lips have kissed, and where, and why,
I have forgotten, and what arms have lain
Under my head till morning; but the rain
Is full of ghosts tonight, that tap and sigh
Upon the glass and listen for reply;
And in my heart there stirs a quiet pain
For unremembered lads that not again
Will turn to me at midnight with a cry.
Thus in the winter stands a lonely tree,
Nor knows what birds have vanished one by one,
Yet know its boughs more silent than before:
I cannot say what loves have come and gone;
I only know that summer sang in me
A little while, that in me sings no more.

In response to not getting paid much…

I came across a sort of funny article in the Washington Post today regarding Busboys & Poets, the famous restaurant/bookstore/poetry venue in Washington, DC. According to the article, poet and Washington native, Thomas Sayers Ellis, stole a cardboard cutout of Langston Hughes from the venue in response to what he calls a “low pay scale” for writers that perform at the venue. 

Ellis, also an assistant professor of creative writing at Sarah Lawrence College, went on to tell the Post, “You would think that an establishment that makes as much money as Busboys would have set in place a reading series with a respectful pay scale for writers. The restaurant gives poets a venue, but it also profits from their talent. The literary community doesn’t know if Busboys is the good guys or the bad guys.”

The article also mentions that the owner pays a monthly salary for three poets-in-residence (one at each of the restaurant’s locations) as well as $50 each to a host and featured poet at three weekly readings.

A lot of poets starting out are used to not making much money at readings, and the little money they do make usually comes from book sales at readings. But the two Busboys & Poets locations are popular spots and staples of the poetry community in DC. Can’t they afford to pay more than $50 to some of the bigger names they bring in? At least what Ellis did has started a debate about the pay scale for poets at the popular venue.

Langston Hughes Project Coming to Scranton

Langston Hughes, the most influential Harlem Renaissance poet, is going to be showcased in the Scranton area, at Lackawanna College’s Mellow Theater. The press release I received about this project is posted below. It sounds like a wonderful way to spend a Friday evening and experience Hughes’ poetry mixed with jazz.

On Friday, February 18, 2011 at 8:00pm, Community Concerts at Lackawanna College will present The Langston Hughes Project, Ask Your Mama: Twelve Moods for Jazz, featuring the Ron McCurdy Quartet at the Mellow Theater at Lackawanna College. The Langston Hughes Project is a multimedia concert performance of Langston Hughes’s kaleidoscopic jazz poem suite. Ask Your Mama is Hughes’s homage in verse and music to the struggle for artistic and social freedom at home and abroad at the beginning of the 1960s. It is a twelve-part epic poem which Hughes scored with musical cues drawn from blues and Dixieland, gospel songs, boogie woogie, bebop and progressive jazz, Latin “cha cha” and Afro-Cuban mambo music, German lieder, Jewish liturgy, West Indian calypso, and African drumming — a creative masterwork left unperformed at his death. Tickets are $30 and $20 and can be obtained by calling (570) 955-1455, in person through the college’s box office and online through www.etix.com. 

Student tickets are available for only $15. This performance is sponsored in part by Prudential Financial. Jazz was a cosmopolitan metaphor for Langston Hughes, a force for cultural convergence beyond the reach of words, or the limits of any one language. It called up visual analogues for him as well, most pointedly the surrealistic techniques of painterly collage and of the film editing developed in this country in the 1930s and 40s, which condensed time and space, conveyed to the viewer a great array of information in short compass, and which offered the possibility of suggesting expanded states of consciousness, chaotic remembrances of past events or dreams — through montage. “To me,” Hughes wrote, “jazz is a montage of a dream deferred. A great big dream — yet to come — and always yet to become ultimately and finally true.”
Substantial group discounts are also available by calling (570) 955-1455.  For more information, please visit www.lackawanna.edu/CommunityConcerts .