Two More Poems for National Poetry Month

In a previous blog post, I mentioned that I had a chance to pick the poems of the week for TheThePoetry blog. I meant to repost links to the poems on here each week, but due to my schedule of readings and work load, I didn’t have a chance yet to post the last two poems for the month.

Here is a link to Jeff Rath’s poem “On This Side,” and here is a link to Amanda J. Bradley’s poem, “Swallowed Whole.”

I hope that National Poetry Month was productive for the writers and led to the creation of new drafts or revisions of old poems. Keep reading and keep writing!

National Poetry Month at the Hoyt Library

In his essay, “Can Poetry Matter,” Dana Gioia talks about ways to make poetry readings more accessible. He has a lot of suggestions, including adding music to a reading, combining the literary arts with the visual arts, among other ideas. I’ve tried a lot of these in the past, and they do indeed work as a way to broaden the audience for poetry. He also stresses the importance of sharing poetry other than your own and reading a poem or two by someone else as a way to keep tradition alive.

While thinking about ways to do something different for National Poetry Month, some of my friends and I were approached by The Hoyt Library in Kingston, PA about doing an event for them. So, we decided that we’re going to do a panel/reading. As part of the panel, we’ll read/discuss two or so poems by some of our favorite poets and then share a few of our poems inspired by those poets. This is a way for us to give away and share poets that we love.

So, if you’re in the area and want to celebrate National Poetry Month, then come to the Hoyt! The event will be this Thursday, beginning at 6 p.m. and held in the reading room. The other poets involved are Dawn Leas and Scott Thomas. We’re looking forward to the event and would appreciate a strong turnout to ensure the Hoyt continues having events like this in the future.

From the Ragged Edge

About a month ago, I read at the Ragged Edge Cafe in Gettysburg, and if you live anywhere near central of southeastern, PA, I suggest checking out their poetry series, which runs every First Friday of the month. The event is half open mic and half feature, and the open mic only includes poetry, so writers don’t have to worry about competiting with musicians. The event organizers work hard at promoting the event, and when I read, my audience consisted of a few dozen people. Not bad for a cold night in early March! Futhermore, the open mic was a great mix of local college students and poets that have done several readings throughout Pennsylvania. The writing community there is encouraging and supportive, and I hope their events continue to grow well into the future.

Ian Falcone, a son of one of the regular poets/open micers, recorded a video of me reading. I’ve done a lot of readings, but few videos have surfaced, so, I thought I’d share.

Poems of the Week

During the month of April, I’ve been asked to select poems of the week for TheThePoetry blog, and doing so has been an honor and treat so far. As a way to celebrate National Poetry Month, I’ll post my selections here. All of the selections I’ve made so far are by poets whose work I deeply admire and poets who have been supportive of me in my career as a poet.

The first selection, which ran last week, is the poem “Bliss” by Christine Gelineau, which you can read here. The most recent poem of the week is “Watching the Pelican Die” by Maria Mazziotti Gillan, which you can read here. I am lucky and fortunate enough to know both poets. Christine was one of my mentors during my time spent completing my M.F.A. at Wilkes University, and Maria is currently one of my professors in my Ph.D. program at SUNY Binghamton. Both poets are strong supporters of their students and wonderful writers. I hope you enjoy ther work.

The website also just published an interview with Maria, some of which I want to quote here as a way to think about poetry, especially the narrative form that she and I use most often.

In regards to the narrative form, she says, “My vision of poetry is that it should be based on some essential truth about what it means to be human and I think narrative poetry gets at those truths more directly and effectively than many other types of poetry. I want to give people permission to tell their own stories and to look at the world unflinchingly through the their own eyes rather than worrying about what critics or literary theorists say about writing. Like Faulkner, I believe literature is about the truths of the human heart and not about intellectual analysis.”

Later in the interview, she says of the writing process, “I think it is unfortunate that so much of our education trains us to subdue all that is wild and primitive and honest inside ourselves and in our writing. I think that we have to be willing to let go, to ignore our intellect and allow instinct to take over. In revision, we can use our intellects, but in writing the poem we need to believe that this instinctive voice knows what we need to write and as soon as we look that very middle-class,suburban inside voice, we lose the energy and vitality in our work. Even in revision, we have to be careful, to prune the work with delicate hands.”

 

Enjoy the poems and enjoy the interview!

 

Conversations and Connections Conference

This weekend, I’m heading to Washington, DC to present at the Conversations and Connections Conference, held at John Hopkins University and sponsored by Barrelhouse Magazine and The Potomac Review.

I’ll be part of a panel entitled “Think Small: The Benefits of Working with a Small Poetry Press,” and I’ll be sharing my experience publishing two books of poetry with indie presses. My co-presenters are Dawn Leas and Tony Mancus, one of the co-founders of Flying Guillotine Press. If you’re looking for a good writing conference that is affordable, I suggest heading to Conversations and Connections on Saturday. The registration information and panel descriptions are listed on the website.  There will also be speed dating with editors of literary magazines and publishers, which is a great chance to make connections and share your work.

 

 

New Interview/Lancaster Reading

Poet and HuffingtonPost blogger Loren Kleinman just published an interview with me on her website, which you can read here.  I also suggest checking out her new collection of poems, The Dark Cave Between My Ribs. It’s  great read.

I also wanted to mention that I am reading at the Barnes & Noble in Lancaster this weekend with Dawn Leas as part of the Lancaster Poetry Exchange. The reading starts at 7, so if you’re in the area, come by!

I also have some events coming up in April for National Poetry Month, but I’ll post those closer to the dates.

New Review/New Poems

TheThePoetry has posted a new review of my collection All That Remains written by Scott Thomas. In the review, Thomas writes, “Fanelli’s work is approachable. He does not brandish his technical prowess with intimidating sestinas. There is no pandering to theory, nor does he flaunt his erudition by quoting obscure thinkers or having his characters speak in Latin. (Though there are some well-placed references to Bob Dylan and horror movies.) What we do find are rusting towns and their hard-working denizens, whose horizons are limited through no fault of their own. We also catch moments of tenderness and regret and glimpses of youth with chances seized or lost.”

He concludes the review with the line, “Fanelli writes about fates that he himself has escaped, but he is unwilling to turn his back, to say: ‘I’m out of here. You’re on your own.’”

If you haven’t checked out TheThePoetry, I suggest bookmarking it and visiting frequently. They run several reviews a month, as well as interviews, essays, and spotlights on different poetry communities across the nation.

In addition, I have three new poems in the new issue of Fledging Rag, which is only available in print through Iris G. Press. The issue is impressive and features a wide range of forms and voices, including three poems by my friend and fellow Wilkes M.F.A. alum Chris Bullard.

More Upcoming Events

March is shaping up to be a busy month for me, with  some readings booked over the next few weeks, leading to some larger events for National Poetry Month. This Friday, March, 7, I’m reading in historic Gettysburg for  the first time ever. The reading will be at  7 p.m. at the Ragged Edge Café, 110 Chambersburg St.  I’m thrilled to take part in this long-running series and read in front of a different audience.

Fanelli_RagEdge_2014

If you can’t make that reading, but you’re in Scranton this weekend, then you should check out Micah Towery’s reading Saturday at 3 p.m. at Library Express in the Steamtown Mall. Micah  is the editor of TheThePoetry blog and the author of the new book of poems, Whale of Desire.

Then on Thursday, March 20, from 5-7, the Valley Community Library is hosting Local Author Night. Along with authors, I’ll be having a book signing and reading.

Writers’ Showcae at the Vintage

This Saturday, March 1, Jason Lucarelli and I will be hosting the Writers’ Showcase at The Vintage in downtown Scranton. The reading starts at 7, and I’m excited about our line-up! It should be  great night.  Our featured readers are Laura Duda, Jeff Rath, Emmalea Russo, Kevin McDonough, Amanda J. Bradley, and Le Hinton. Here is a list of their bios and here is a link to a feature story The Weekender just published on Le Hinton and the reading.

In addition to writing, Laura Duda’s creative outlets include a custom line of art called BarnYard Art where she utilizes recycled materials – old barn wood, barbed wire, saw blades, horse shoes, etc. – and natural elements to create art and jewelry.  She has also had gallery showings of her digital nature photography. She and her husband operate a horse drawn carriage business and reside on a small horse farm in Fell Township, Pennsylvania.  She an adjunct instructor in the humanities division at Lackawanna College, and co-chair of both the Creative Arts Club and First Friday Committee. She is also an adjunct faculty member at Southern New Hampshire University as an instructor in English composition and creative writing. Laura is a Spring 2013 graduate of the Wilkes University Creative Writing Master of Arts program where she focused on fiction and nonfiction.  She has had fiction published in the Osterhaut Library’s Word Fountain, and her non-fiction short story “Bonnie” was published in the Fall 2012 edition of the East Meets West American Writer’s Review; the story won honorable mention in the 2012 Fall Writer’s Contest.

Jeff Rath is the author of three collections of poetry: The Waiting Room at the End of the World (2007), In the Shooting Gallery of the Heart (2009) and Film Noir (2011), all published by Iris G. Press. His works have been published in a number of journals including Everyday Genius and Fledgling Rag. He is the 2007 R.E. Foundation Award winner and a Pushcart Prize nominee.

Emmalea Russo is a poet and visual artist making process-based works. Recent work has appeared in Two Serious Ladies and THE VOLTA. She is the author of they (an artist book made from thread and Gertrude Stein’s Stanzas in Meditation, GAUSS PDF, 2014), and the chapbooks book of southern and water (Poor Claudia, 2013) and CLEAR1NG (Dancing Girl Press, 2013). She lives and works in Brooklyn, NY.
Kevin McDonough is a full-time Assistant Professor at Lackawanna College. He teaches a range of English and writing courses including College Writing, Introduction to Literature, Women’s Literature, American Literature to 1900, and Language, Literacy, and Play. Kevin also works as an adjunct professor for Marywood University’s English department, teaching Composition and Rhetoric, Children’s Literature, and Structured Linguistics. He spends his time outside of the classroom writing and performing original music—and working on short fiction. His New Year’s resolution for 2014 is to actually start submitting his stories.

Amanda J. Bradley has two books of poems out from NYQ Books: Hints and Allegations was released in 2009 and Oz at Night in 2011. She has published poetry and essays in many journals including Kin Poetry Journal, The Nervous Breakdown, The Best American Poetry Blog, Rattle, The New York Quarterly, and Poetry Bay. She was interviewed in The Huffington Post in April 2013. Amanda is a graduate of the MFA program at The New School, and she holds a PhD in English and American Literature from Washington University in St. Louis. She is an Assistant Professor at Keystone College.

Le Hinton is the author of four poetry collections including, most recently, Black on Most Days (Iris G. Press, 2008) and The God of Our Dreams (Iris G. Press, 2010). His work has been published in Gargoyle, Little Patuxent Review, Unshod Quills, Watershed, Off the Coast, and in the poetry anthology/cookbook, Cooking Up South. His poem “Epidemic” was the winner of the Baltimore Review’s 2013 Winter Issue contest. In 2012, his poem, “Our Ballpark,” was incorporated into Derek Parker’s sculpture Common Thread and installed at Clipper Magazine Stadium in Lancaster, Pennsylvania, as part of the Poetry Paths project.

In Honor of Maxine

The American poetry scene has lost some big names over the last few years, including W.D. Snodgrass and Adrienne Rich. This weekend, Pulitzier-prize winning poet Maxine Kumin passed. In an article published by The Los Angeles Times, Carol Muske-Dukes says of Kumin’s work, “Kumin wrote deceptively straightforward poems. The ‘below surface’ artistry of these poems lay in their ability to transform familiar experience to precisely calibrated insights, couched in a quietly elegant style.”

Most recently, over Christmas break, I was thinking of Maxine Kumin while reading Anne Sexton’s letters, specifically how Kumin provided important support and friendship to Sexton, especially through Sexton’s bouts with depressions or doubt in her work. Kumin was also friends with Adrienne Rich and Sylvia Plath, and Muske-Dukes notes that the passing of Kumin means we “have lost the last ‘member’ of this august sisterhood of poets.” And yet, while Kumin may have addressed feminism and gender issues in her work, like the “sisterhood of poets,” I always enjoyed her naturalism, the way she recounted the cycles of life and death, witnessed after living on a farm in New Hampshire for years and raising horses.

For more info on Kumin’s work, visit her website here or her bio on the Academy of American poets here.