back to the early stages

Not long after Front Man was published and I did a slew of readings to promote the chapbook, I started wondering what next? What should I work on now? The poems from the chapbook, overall, have a distinct voice and focus on a particular music scene and the ideals that go with it. But I knew around the time I finished the book and it was accepted by Big Table Publishing up in Boston that I said all I wanted to say about that subject and it was time to move on.

Near the end of writing Front Man, I started drafting some new poems, with far different personas and even some different forms than the poems of my first book. I started to heavily explore the issue of relationships, of first meetings between friends, crushes, lovers, and what’s left after relationships unravel. I think some of this came from what I was reading at the time- a lot of Kim Addonizzio’s poems (which often deal with love, sex, lust, and loss), and Sam Hazo’s marriage dialogue poems, which explore how each gender communicates in a relationship. I also read Major Jackson’s new collection, Holding Company, and that collection has had the biggest influence on my newest work. In his third collection, Jackson leaves  behind the hip-hip references and longer narrative poems. For Holding Company, he created a series of tight, 10-line, sonnetesque poems, many of them dealing with a broken marriage and new beginnings/new relationships. I was especially impressed with the collection because of the leap forward he made as a writer, how he broke from his  familiar and probably comfortable personas and forms.

I have a good portion of poems written (probably 15-20 solid drafts,  just a few shy of a second chapbook manuscript). So far, it’s been exciting to take on new subject matter, new forms, and new personas. Finishing Line Press wanted to publish Front Man after it was accepted by Big Table Publishing, and recently, they told me they are very interested to see a second manuscript and will give it close consideration. But right now, I’m enjoying the drafting and revision process, figuring out how these poems will fit together and speak to each other. I’m in the process of sending poems out to journals, just like I did for Front Man, before it all came together. It’s refreshing to be back at the early stages of a new manuscript. Here is a new poem from the new collection I’m working on.





Old Lovers

He answered her motel call for company,

pulled her close, wrapped her in his long arms,

the same arms she used to imagine

caressing when she watched him swing bats

at their high school ball field.

For two hours, she made up for months

she ached to be touched,

nights she pulled a pillow close,

pretended she could feel his facial stubble prick her cheeks.

The old lovers finished, sparked cigarettes,

sat on the deck. They knew that come daybreak

they’d gather their clothes,

bathe and leave because she had her New York job,

and he his hometown carpenter work.

He liked to remember her moans,

his name loud in her mouth,

and she the strength of his hands

tracing her curves in the dark.

They always left before sunlight revealed

growing streaks of gray in their hair,

fine lines near their eyes,

bodies sore and tired, in need of rest

before meeting again.

99-year-old sells 1.5 million poetry books

This morning I came across a story from Reuters that I wanted to share.  A 99-year-old woman in Japan, Toyo Shibata, published her first collection of poetry recently, and it’s sold about 1.5 million copies and has landed on bestseller lists in Japan! Even more surprising is the fact that she didn’t even start writing until she turned 92, when she could no longer practice her decade-long hobby of classical Japanese dance, according to the article. So her son suggested she try poetry.

It’s hard to say why the self-published book of 42 poems has sold over a million copies. Is it simply because of her interesting story? Is it because the Japanese people want to focus on something positive in light of their sagging economy, as the article suggests? While every other poet struggles to sell a mere few hundred copies of a first book and we crisscross different venues to read and get the work out there, this woman sold an outstanding number of books with very little initial promotion. I’d be telling a lie if I said I wasn’t a little jealous. : ) But kudos to her! I hope I’m that productive if I live to her age.

Reading Recap

Over the last few months, I’ve done several readings to promote Front Man, and I’ve crisscrossed various venues in the tri-state area to get the work out there. I’ve enjoyed all of the readings so far, but I think my favorite reading  occurred Friday evening, at Anthology New and Used Books. As I had mentioned in a previous post, there have been readings at that venue since it opened a few years ago. Dozens of people squeezed into the venue Friday, and I appreciate the fact that so many of my students, fellow writers, and friends showed up. I like that venue so much for its intimacy and the fact it’s the only used bookstore we have around here.

Furthermore, the crowd there is always respectful. When a featured reader is up there, people aren’t texting or talking to their boyfriends or girlfriends. They’re paying attention and often stay around for a little while after the reading to socialize and make connections. I’ve been to readings where people don’t pay attention or leave in droves after the main reader, but that usually never happens at the Anthology events.

Friday’s reading also meant a lot because my friend and former co-owner/co-manager of the venue, Andrea Talarcio, has stepped down.  I wish her luck in whatever she does now. We were lucky to have her in the community to host these readings. I’m glad Anthology is staying open and the various writing workshops, book clubs, and readings will continue, as long as people shop at the store and help keep it open. We’re lucky to have it in our community.

Bringing it all back home

Over the last few months, I’ve done a lot of readings for my poetry chapbook Front Man. The mini reading tour started up in the Boston area with a reading at Borders that featured other poets from the Big Table Publishing community. I’ve also read all over Pennsylvania and parts of NY. This Friday, I’m doing a reading in my hometown of Scranton, PA at Anthology New and Used Books.  Out of all the readings I’ve done, I’m most excited about this one. Since it opened a few years ago, this bookstore has been a real bright spot for the local art community. The venue has housed poetry readings, writing workshops, and book clubs. It’s been a place for local activist and philosophical clubs to meet on a weekly basis.

I’m also happy to come back home and do this reading because a lot of the poems in Front Man were first read at Anthology, at the poetry open mic nights the fourth Friday of every month. These readings gave me the chance to test some of the poems in public and learn what lines worked and didn’t work. Anthology played a crucial role in putting the book together. Furthermore, most of the poetry collections I read while writing the book I ordered through Anthology. Because of the store, I was able to obtain a lot of collections by new voices in contemporary poetry. You don’t find many of these collections at the local Borders or Barnes & Noble stores.

So, if you’re looking for something to do this weekend, come out to the reading on Friday. It begins at 7 p.m. I’ll sign some books and read some poems. A limited open mic will follow. Anthology is located at 515 Center Street, above Outrageous Jewelry.

Reasons Why Book Marketing Campaigns Fail

The Best Damn Creative Writing Blog ran a wonderful article over the weekend talking about book marketing and why some campaigns to get new readers fail. The first issue the article raised is social media. Certainly social media has changed the landscape in regards to marketing. If used well, social media makes it far easier for writers to market their book or manuscript in progress. But the article makes some valid points in regards to social media. First, it mentions that some writers simply don’t use this tool. I’m always surprised by this. Nowadays, especially in the world of poetry, presses and publishers simply don’t have the funds to launch advertising campaigns for writers. So why not make use of the free services blogs, Facebook, and Twitter offer in regards to promoting a new chapbook or full-length collection? Social media provides the opportunity to gain new readers and have open discussions with other writers.

However, the article also points out that a writer needs to be careful how he or she uses social media services. Don’t just use the tools to push your work or sell your book.  As the article points out, the goal of social media should be to provide potential readers with a level of engagement. Convince them you are interesting. Pique their interest, and that should help get your work read by others. But remember no one wants to get bombarded with messages regarding where to buy your book or where to read your work.

The article also mentions that it’s crucial to invest time in one’s self. I think I underestimated this point prior to the release of my chapbook, Front Man.  I didn’t realize how much time I would spend marketing the book, setting up readings, sending the book out to reviewers. As I had mentioned earlier, presses and publishers simply don’t have the funds to launch marketing campaigns for most writers anymore. So, it’s mostly up to the writer to do the hard work. The book won’t sell if no readings are booked. It’s as simple as that. Make time for these marketing strategies. It’s also a great way to build further connections.

more readings!

This month, I’m doing several readings to promote Front Man even more, and I’m especially excited about these events because of the other poets on the bill.

On Friday, January 21 at 7 p.m., I’m going to read with Dawn Leas, author of the chapbook I Know When to Keep Quiet, available from Finishing Line Press. The reading will be held at the Barnes & Noble in downtown Wilkes-Barre (7 S. Main Street). Dawn holds an M.F.A. from the Wilkes University Graduate Creative Writing Program, and her work has appeared in a variety of journals, including goldwakepress.org, Willows Wept Review, and Writers’ Bloc.

On Friday, January 28 at 7 p.m., I’m the featured reader at Anthology New and Used Books in Scranton (515 Center Street). I’ll read for about 20 minutes, and then a limited open mic will follow.

On Saturday, January 29 at 6:30 p.m., I’m heading up to Ithaca, NY to read with two wonderful poets. The poets I’m sharing the stage with are  Jaime Warburton, an associate professor of writing at Ithaca College and author of the chapbook Note That They Cannot Live Happily, and Charles G. James, who lives in Elmira, NY and does all of his work on a typewriter. How cool is that? The reading will be held at the Owl Cafe,  located on the second floor of the Autumn Leaves Bookstore in the Ithaca Commons.

More info about the Ithaca reading is available by clicking on the link to the flyer below! All of these events are free.

Owl_Cafe_Reading_flyer[1]