The Boss is Back

About a month ago or so, I wrote on here about the collection of essays and interviews about Springsteen I read called Racing in the Street. The collection mostly explores his early days in Asbury Park, his huge success, and his evolution as a songwriter not afraid to shy away from social and political commentary. Today, Springsteen announced dates for the first leg of his U.S. tour, and I’m going to try my best to see him at one of the Philly, NJ, or NY shows because you never know how long he’ll be doing this for.

When I wrote the blog post about the book Racing in the Street, I predicted Springsteen’s new album, which has been named Wrecking Ball and is slated to drop March 6, would certainly feature some commentary on social and economic injustice, similar to his albums the Ghost of Tom Joad, Darkness on the Edge of Town, and Born in the U.S.A. This is the age of Occupy Wall Street, and even Newt Gingrich is talking about economic inequality and how much Mitt Romney pays in taxes.  Springsteen is one of the few big voices we have left to talk about such issues. Dylan pivoted away from that years ago. Jon Landau, Springsteen’s manager, made a few comments about the album to Rolling Stone. You can read them here. Two quotes intrigue me about the album. Landau said Springsteen feels this is his “angriest album yet,” and he says the music will include “unexpected textures – loops, electronic percussion… influences and rhythms from hip-hop to Irish folk rhythms.”
You can click the YouTube video below to hear one of the new tracks from the album, “We Take Care of Our Own.” You can certainly hear some of Springsteen’s commentary on the state of America in the new track. You can check out his tour dates on his website by clicking here.

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About Brian Fanelli

I'm a poet, teacher, music junkie and much more. My first chapbook of poems, Front Man, was published in 2010 by Big Table Publishing. My full-length book of poems, All That Remains, was published in 2013 by Unbound Content. My latest book, Waiting for the Dead to Speak, was published in the fall of 2016 by NYQ Books. My work has also been published by The Los Angeles Times, World Literature Today, Harpur Palate, Boston Literary Magazine, Kentucky Review, Verse Daily, Spillway, Portland Review, and several other publications. My poetry has also been featured on "The Writer's Almanac" with Garrison Keillor. Currently, I teach English full-time at Lackawanna College.
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