A Rebirth of the Classic Universal Monsters?

invisible-man-1

(Photo Courtesy of Blumhouse/Universal)

Now that Leigh Whannell’s The Invisible Man (Read my review at Signal Horizon) grossed nearly $50 million at the box office this weekend, it seems likely Universal will green-light other reboots/remakes of their classic monsters. Unlike 2017’s The Mummy, Whannell’s film was a huge success, especially when you factor in that it had a budget of only $7 million. There are several reasons why I think this project worked.

  • It was a single, self-contained story. Unlike The Mummy, The Invisible Man didn’t try to launch an entire Dark Universe. It simply focused on one main character, Cecilia Kass (Elisabeth Moss), and her abusive ex, aka The Invisible Man.
  • It updated the story. The movie resonates because it feels timely in the age of the MeToo movement and powerful men going to jail or abusing women.
  • It was actually…. scary and suspenseful. What’s more terrifying than an unrelenting ex who you can’t see? The score helped, too.
  • Moss’ performance was stellar. Enough said.

Whannell just signed a first-look deal with Universal/Blumhouse, meaning they’ll most likely have him direct other projects, which could mean other reiterations of the classic monsters. The Invisible Man contains a formula for successful reboots of other classic monsters, namely, keep the story simple. Don’t try to build some grandiose universe. Give us a monster. Give us victims.

Which monsters would you like to see hit the big screen next?

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