Writers on Writing, Routines, Habit

I love reading biographies about writers and interviews with writers. I love peering into their work space and coming to a greater understanding of how they operate. The current issue of The Writer’s Chronicle has an interview with one of my favorite contemporary poets, Kim Addonizzio. The interview, which is only available in print, covers a wide range of topics, and while it does not delve too much into Addonizzio’s specific writing process, it does provide some glimpses into it. For instance, she mentions listening to classical and jazz while composing new work, and maybe this shouldn’t come as surprise, since Addonizzio also plays music and frequently busts out her harmonica to play the blues after she reads a few poems or her fiction.

What’s more interesting about the interview, however, is what Addonizzio has to say about writing in different genres. She admits that some writers are purists and stick to only one genre, but she writes poetry, fiction, and essays. She is quick to note how writing poetry can help with other genres because it teaches a writer to develop precision of language and metaphorical thinking. This is why, when I used to teach creative writing, we always started with poetry, before delving into any other genre of writing. Poetry, as Addonizzio states, helps students focus on the importance of correct word choice and the weight of a single line, and though prose may be longer, those same rules should still apply. It may be typical, too, for us to start out in one genre, but there is no harm in expanding to other genres. She mentions starting out with poetry and then writing fiction when she was in her early 30s. Since then, she has published two novels and two short story collections.

It’s worth picking up the latest issue and reading the interview. It’s another window into a writer’s habits and work routine. For the teachers out there, there is good advice too, namely the importance of writing as both a teacher and a writer and always questioning the techniques a writer used and how that can be covered in the classroom, or turned into a writing prompt.

 

Some Props for Poetry Quarterly

Late last week, the fall 2015 issue of Poetry Quarterly arrived in my mailbox. The journal is about five years old, and I have been published in some of the earlier issues. However, the fall issue is the strongest issue I’ve read to date. It is much slimmer, only about 80 pages, and it has a guest editor, Jodie Hollander. This issue’s featured poet, Christina Pugh, is a recipient of the John Simon Guggenheim Memorial Fellowship, and her work has appeared widely, including in The Atlantic Monthly, Poetry, Ploughshares, and elsewhere.

The new issues contains a variety of forms and schools of poetic, from surrealism, to narrative, to the neoformalism of two featured Dave Mason poems. I feel fortunate that my poem, “September,” is published in this issue, and I will continue to support this journal. It’s been a pleasure watching it grow over the last five years. If you’re interested in purchasing any issue, including the new issue, you can do so here.

November Edition of The Writer’s Showcase

If you’re in the Scranton area this weekend and looking for a literary event, then come to the November installment of The Writer’s Showcase, held at the Old Brick Theatre in North Scranton.  To learn more about our featured authors, check out the bios I have posted below. The event runs from 7-9 p.m.

Author bios:

Ali Pica is a local writer for the arts and entertainment site, NEPA Scene. She also has her own advice column in NEPA Scene, “Yeah, Yeah, Yeah Ali.” Ali also has been a featured reader in venues such as the Vintage Theater and AfA Gallery. Ali has performed with several local jazz musicians in the Northeastern PA and New York City. Currently, Ali is working on a short fiction series and is an Adjunct Professor at Keystone College.

Maggie Gilbertson writes and performs poetry. She’s competed at the Brave New Voices competition and many local slams. She is a junior at Dallas High School, and she loves to read and climb trees.

Joan Hanna has published poetry, creative nonfiction, book reviews and essays in various online and print journals. Her forthcoming chapbook, The Miracle of Mercury, is available for order at Finishing Line Press. Hanna’s first chapbook, Threads, also published by Finishing Line Press, was named a finalist in the 2014 Next Generation Indie Book Awards. She teaches creative writing at Rowan University and is also Assistant Managing Editor for River Teeth: A Journal of Nonfiction Narrative and Assistant Editor, Nonfiction/Poetry for r.kv.r.y. Quarterly Literary Journal. Hanna holds an MFA in Creative Writing from Ashland University. Follow her at her personal blog Writing Through Quicksand. (www.writingthroughquicksand.blogspot.com)

Poet and songwriter Tom Blomain is the author of Gray Area (Nightshade Press) and Blues From Paradise (Foothills Publishing).

The Old Brick Theatre is located at 126 W. Market Street. Admission is $4.

What not to do at your featured poetry reading

I want to share this article, which came across on one of my social media feeds. It offers several tips of what to avoid when you give a featured poetry reading. The first point, about knowing your audience, is most important. Whether you are booking a reading tour for a new release, or just doing one reading a year, it is important to do your research. Know the venue. Know the crowd. What type of style/tone do they like? If they are a rowdy crowd, mostly accustomed to performance more than what’s on the page, then keep that in mind, and vice versa. The more you connect with a crowd, the more they will remember your work and perhaps buy a book.

Some of the points are key, too. Never, EVER go over your time. Be mindful that people have lives, and though they may want to hear you read, even your biggest fan does not want to sit through a three-hour set.

Check out the article for some other useful tips!

A Look into Narrative and Confessional Poetry

My Ph.D. colleague, Dante Di Stefano, recently had an essay published by Shenandoah. The essay, “A Defense of Train Wrecks: Lyric Narrative Poetry and the Legacy of Confessionalism,”  makes a fine case for narrative poetry today. Not only does the essay give a deep reading to some of the best contemporary narrative poets, including Joe Weil, Maria Mazziotti Gillan, Denise Duhamel, and Sharon Olds, but the essay looks at the history of that mode of poetry, going back to Robert Lowell, John Berryman, Sylvia Plath, and Anne Sexton, viewing their work as a reaction against Eliot, Williams, Pound and other Modernists who often fractured narrative.

This essay gives a good reading and deep understanding to the last several decades of American poetry. Check it out.

New Poem/New Community Dedicated to NEPA Writers

I’m pleased to announce that there is a new website/journal dedicated to creating  community among poets based in northeastern, Pennsylvania. The website, Poets of NEPA, is seeking submissions as a way to showcase local talent.  One of my poems, “Sipping Tea with You in September,” was published today. It is a very autumn-centered poem, and you can read it here.

If you are an NEPA-based poet, then submit your work!

Upcoming readings

I have few upcoming readings over the next two weeks, including a Halloween-themed jazz/poetry reading. My set will primarily deal with ghosts, and a few of my poems will also reference horror movies. I just may dress up, too. Here are some details about the upcoming events:

Sunday, October 11 2015 6-9 .m.

Jazz/Poetry Night (Halloween Themed)

Old Brick Theater, 126 W. Market Street, Scranton, PA

I will one of the featured readers. The other featured readers are Ali Pica, Amanda J. Bradley, and Larry Pugliese.

Saturday, October 17 2015 3-4:15 p.m.

Italian American Studies Association Conference/Poetry Panel

The Marriott, Wardman Park Hotel, Washington, DC

I will be reading with Nicole Santalucia and Dante Di Stefano.

New work over at The Kentucky Review

I’m pleased to say that I have a new poem, “Trying to Call Forth a Ghost,” over at The Kentucky Review, which you can read here. The poem will also appear in print in the annual issue, slated to be published in January. For now, read it online. Many thanks to Robert S. King for accepting the poem and for the wonderful work he does with the magazine.

Punk Dives and High Fives

I’ve been thinking  a lot about the notion of community, community in the poetry world and the community I grew up in as a teenager, the punk rock scene at the turn of the 20th Century in Pennsylvania. There used to be a number of venues across the state where under 21ers could hang out on a Friday and Saturday night and listen to their best friends’ bands bang away on the snare drum and hammer power chords for a sweaty, sloppy 40-minute set. I had a number of venues that I went to as a teen, Café del Soul in Scranton, Homebase and Café Metropolis in Wilkes-Barre, and after I migrated to Philadelphia, I caught shows a the TLA, the First Unitarian Church, and a number of other venues across the city. I can’t count how many bands I’ve seen over the years, and I can’t say one power chord-charged set stood out to me the most, but what I do remember the most are sidewalk conversations before or after shows. I remember the first time my friend mentioned Emma Goldman outside of Café Del Soul when we were in high school. I know that conversation sent me to the library, where I researched Goldman’s activism and learned that there is indeed a different, better way to live. I remember discussing the first time I heard the Clash, and I remember mourning the untimely deaths of  Joey Ramone and Joe Strummer with friends.

NEPA Scene noted that this week marks the five-year anniversary of Café Metro’s closure in Wilkes-Barre, which was really the last venue standing in the area, and also the longest running, at 14 years. They posted a link to a short documentary about the venue, which you can watch here, and I encourage you to do so.

Following the recession, so many venues nationwide have closed and funding for the arts has dried up. Programs have been slashed from school budgets. I worry about this because where do all of the young writers, musicians, and artists go? Where do they find community? Sure, they are interconnected, thanks to social media, but interaction behind a screen does not compare to curbside conversations and meeting people face to face.

I feel fortunate that as a poet, I get to read in different spaces. I’ve visited a lot of communities where things are happening, where people have taken it upon themselves to really invest in their local art scene. I have seen friends all across the tri-state area and beyond expend energy building something. Due to their inspiration, I started a reading series four years ago that is still going.

But what about all-ages venues for younger folks? What about their scene and community? There are no venues left here, and that is the story of a lot of towns across the country. My hope is that they will start something new and they will grow up to take energy and pour it into something positive.

New Review/Final Review at [PANK]

As I mentioned in an earlier post, [PANK] magazine will close its doors at the end of this year. They had one hell of a 10-year run and quickly became one of the most influential lit. mags on the scene, publishing diverse writing and offering a platform for women’s voices early on. In their farewell statement, posted on Facebook, the editors did leave open the possibility that the magazine could return in some form one day, maybe just online.

For the last five or so years, I’ve been a consistent book reviewer, and doing so has allowed me to keep track of what was happening in the contemporary poetry scene. My final review is of John Amen’s latest collection, Strange Theater, published by New York Quarterly Books. Read the review here.

Big thanks to the editors for allowing me to be part of the [PANK] family for so long. I’m also appreciative for the reviews of my two books that the magazine ran. Here’s hoping that [PANK] returns in some form or another one day.