The Writing Class

I wanted to share this article written by Jaswinder Bolina and published by The Poetry Foundation. It’s a bit long, but it’s well worth the read, especially in the context of the M.F.A. debate, academia, the culture of privilege, and labor issues.  Here are some passages that I think are especially striking and raise some of the various class issues regarding pursuing an M.F.A. and being a poet.

Jaswinder on his parents feelings towards poetry: “Poetry wasn’t a bad idea in the abstract to either of them. It might even be a noble pursuit, but it also seemed a thing better left to the children of the wealthy than to the son of working-class immigrants. ”

On class issues, education, and career decisions: “Where the working classes are regularly forced to take pragmatic action out of necessity, the privileged are allowed to act on desire. My parents’ money, modest as it was and still is, did more than pay for the things I needed. It allowed me to want things they couldn’t afford to want themselves. ”

I think the second point I posted is one to ponder, specifically the idea that graduate school is mostly limited to only a select group of people with at some privilege, namely decent economic circumstances.  Furthermore, even those that have access to graduate school don’t necessarily land a full-time, tenure track teaching job at a university after completing the degree, so why do so many people keep signing up for M.F.A. programs? Is it simply about career ambition, and how detrimental is that to the poetry at the national level if much of what is written and published is done so by M.F.A. and Ph.D. students and graduates? Beyond open mic nights, slams, and other community events, how does poetry break out of its insular culture of privilege?

50 Films about Writers

The website Flavorwire just composed a fairly impressive list on films about writers. This list is worth sharing because while there are some well-known films on here, including Bright Star, Shakespeare in Love, Poetic Justice, and Fear and Loathing in Las Vegas, there are a lot of indie films that slipped under the radar. Read the full list here.  I will admit that I’ve only seen about half of these films, and I’ve added several to my list of films to watch soon. Out of the films they chose, Bright Star is my favorite, especially the scenes in which Fanny Brawne (Abbie Cornish) reads John Keats’ (Ben Wishaw) actual letters. I’ve always said that the letters Keats penned for Fanny are as noteworthy as some of his poems.The film also references some of Keats’ important poetic theories, including Negative Capability.  I’ll add that Wonder Boys is a close second favorite on the list. Anyone who has taught creative writing before can probably relate to Prof. Graddy Tripp’s (Michael Doulas) plight in the film, which includes departmental politics, writer’s block, and mentoring his creative writing students, including James Leer (Tobey Maguire) an outcast with a lot of raw writing talent.

One-Year Anniversary

All That Remains by Brian Fanelli Book Cover

All That Remains

It’s hard to believe it, but my first full-length book of poems, All That Remains, came out one year ago tthis week! It’s been a wild road post-publication, with readings in Philly, New York City, New Jersey, Washington, D.C., and all around various literary communities in PA. The book also picked up a nomination for the Tillie Olsen Award by the Working Class Studies Association, and one of its poems, “After School Drives,” was nominated for the Pushcart Prize. The best aspect of the book’s release has been connecting with folks from all over different cities/communities. I hope, in time, some of them can read here in NEPA.

If you want a copy of the book, you can order it here. If you want a special 25 percent discount on the book, drop me a comment here and I’ll give you a discount code.

Now it’s time to continue working on the follow-up and begin organizing the next manuscript. Onward!

Chiron Review

One of my favorite contemporary poetry/fiction/art magazines is Chiron Review, which is based out of St. John Kansas and founded by Michael Hathaway in the 1980s. Over the years, the editors have published some impressive names, including Marge Piercy, Charles Bukowski, William Stafford, Edward Field, among others. A few years ago, I was fortunate enough to have some poems published in its punk issue. What I’ve always liked about Chiron Review is not only its creative themes, but also its format. For years, the issues, including the punk one, were published in a tabloid format, a bit similar to American Poetry Review.

A few years ago, however, the magazine went on hiatus, sharing the fate of a lot of other print magazines in the country. Fortunately, however, publisher Michael Hathaway announced earlier this year that it would be returning in print format. Recently, the fall issue (97) was published, and my poem, “Listening to Springsteen on I-81,” is included in its pages. I hope that this issue marks a renewal for Chiron Review, especially in the uncertain world of publishing. Its mark on contemporary American poetry has already been made, but here’s hoping for many more issues!

If you have a few dollars to spare, order a copy of the new issue, or even better, make a donation to the magazine. Make a donation to other magazines like it that you enjoy reading so they can keep publishing.

Two Upcoming Events

As fall officially starts tomorrow, I’m happy to announce two upcoming events. Tomorrow, Sept. 21, I’m taking part in Jazz-Poetry night at the Old Bricke Theatre in Scranton, located at 126 W. Market St. The event begins at 6 p.m., and I’ll be joined by fellow poets Rich Howell and Scott Thomas. The musicians will be Chelsea Smarr on harp and Jeff Brozena on percussion. I’ve done this event a few times in the past, and it’s always a lot of fun. I’m a fan of any event that combines different art forms.

Next week, Saturday, Sept. 27, I’m taking part in 100 Thousand Poets for Change.   This is a global event meant to raise awareness about social justice and environmental issues. I will be taking part in the event outside of Philly, at Souderton Park, which is also not too far from New Hope. My reading will be from 11-11:30 a.m., and the event will run until 6 p.m. and feature poetry and music all day.

 

On Teaching Poetry

I am sharing a video by the Academy of American Poets featuring Naomi Shihab Nye, a poet whose work I like quite a lot. This video focuses on Nye’s comments about teaching poetry and the difficulty of poetry. Much of what she says in this video resonates with me both as a poet and a full-time English instructor at a college. When I taught creative writing in the past, I’ve had students groan about having to write poetry, and when I come to the poetry unit in my literature courses, I have countless students who think that they can’t get or understand poetry. I have had my own theories on why this is, and some of my students have confessed to me that their experience with poetry in high school was reduced to dissecting meter on a black board, as though poetry is a math equation that needs to be solved.

Nye brings up another point, however, that I think is true. She states, “Something happened with poetry a while ago where it became a measurable thing. You either get it or you don’t get it.” She stresses the importance of sweeping that idea under the rug in the classroom and creating an environment where love for poetry is known and welcome. She also recommends allowing students to bring in poems that resonate with them and talking for a few minutes about why they love the poem so much.   Furthermore, she recommends playing audio clips of the poets reading their work. This is something I do in nearly all of my classes. I have noticed time and time again that when students can hear a voice and associate that voice with the poem, they relate to the poem more. Sometimes, it makes the poem easier for them to understand, too. Though this is a short video, there is a lot of good feedback in here regarding teaching, creative writing pedagogy, and teaching poetry.

Here is the video. Enjoy!

New Poem Over at Two Cities Review

Two Cities Review will be publishing its fall issue in the coming days. I’m thrilled that my poem, “Stargazing,” will be included. The editors launched a preview of the fall issue, which you can read here. It features my poem, and check their website in a few days for access to the rest of the issue.

Enjoy!