Writers’ Showcae at the Vintage

This Saturday, March 1, Jason Lucarelli and I will be hosting the Writers’ Showcase at The Vintage in downtown Scranton. The reading starts at 7, and I’m excited about our line-up! It should be  great night.  Our featured readers are Laura Duda, Jeff Rath, Emmalea Russo, Kevin McDonough, Amanda J. Bradley, and Le Hinton. Here is a list of their bios and here is a link to a feature story The Weekender just published on Le Hinton and the reading.

In addition to writing, Laura Duda’s creative outlets include a custom line of art called BarnYard Art where she utilizes recycled materials – old barn wood, barbed wire, saw blades, horse shoes, etc. – and natural elements to create art and jewelry.  She has also had gallery showings of her digital nature photography. She and her husband operate a horse drawn carriage business and reside on a small horse farm in Fell Township, Pennsylvania.  She an adjunct instructor in the humanities division at Lackawanna College, and co-chair of both the Creative Arts Club and First Friday Committee. She is also an adjunct faculty member at Southern New Hampshire University as an instructor in English composition and creative writing. Laura is a Spring 2013 graduate of the Wilkes University Creative Writing Master of Arts program where she focused on fiction and nonfiction.  She has had fiction published in the Osterhaut Library’s Word Fountain, and her non-fiction short story “Bonnie” was published in the Fall 2012 edition of the East Meets West American Writer’s Review; the story won honorable mention in the 2012 Fall Writer’s Contest.

Jeff Rath is the author of three collections of poetry: The Waiting Room at the End of the World (2007), In the Shooting Gallery of the Heart (2009) and Film Noir (2011), all published by Iris G. Press. His works have been published in a number of journals including Everyday Genius and Fledgling Rag. He is the 2007 R.E. Foundation Award winner and a Pushcart Prize nominee.

Emmalea Russo is a poet and visual artist making process-based works. Recent work has appeared in Two Serious Ladies and THE VOLTA. She is the author of they (an artist book made from thread and Gertrude Stein’s Stanzas in Meditation, GAUSS PDF, 2014), and the chapbooks book of southern and water (Poor Claudia, 2013) and CLEAR1NG (Dancing Girl Press, 2013). She lives and works in Brooklyn, NY.
Kevin McDonough is a full-time Assistant Professor at Lackawanna College. He teaches a range of English and writing courses including College Writing, Introduction to Literature, Women’s Literature, American Literature to 1900, and Language, Literacy, and Play. Kevin also works as an adjunct professor for Marywood University’s English department, teaching Composition and Rhetoric, Children’s Literature, and Structured Linguistics. He spends his time outside of the classroom writing and performing original music—and working on short fiction. His New Year’s resolution for 2014 is to actually start submitting his stories.

Amanda J. Bradley has two books of poems out from NYQ Books: Hints and Allegations was released in 2009 and Oz at Night in 2011. She has published poetry and essays in many journals including Kin Poetry Journal, The Nervous Breakdown, The Best American Poetry Blog, Rattle, The New York Quarterly, and Poetry Bay. She was interviewed in The Huffington Post in April 2013. Amanda is a graduate of the MFA program at The New School, and she holds a PhD in English and American Literature from Washington University in St. Louis. She is an Assistant Professor at Keystone College.

Le Hinton is the author of four poetry collections including, most recently, Black on Most Days (Iris G. Press, 2008) and The God of Our Dreams (Iris G. Press, 2010). His work has been published in Gargoyle, Little Patuxent Review, Unshod Quills, Watershed, Off the Coast, and in the poetry anthology/cookbook, Cooking Up South. His poem “Epidemic” was the winner of the Baltimore Review’s 2013 Winter Issue contest. In 2012, his poem, “Our Ballpark,” was incorporated into Derek Parker’s sculpture Common Thread and installed at Clipper Magazine Stadium in Lancaster, Pennsylvania, as part of the Poetry Paths project.

Some Changes Coming

If you’ve visited my blog lately, you’ve noticed a few changes. I’ve made efforts to personalize the blog, including a new banner and links for upcoming events/readings, an updated bio page, and samples of my poetry. This is being done because I’m updating brianfanelli.com to run and customize it through WordPress. The host name/domain will remain the same, however. There will be additional links added soon to condense various publications credits and interviews I’ve done. Many, many thanks to my friend, web design guru, and writer Nathan Summerlin for this.

I hope you like the changes and keep coming back. Stay tuned!

 

 

I love Scranton, but…

Everyone knows that Scranton is broke. The city made national headlines a few years go when former mayor Chris Doherty paid city workers, including police officers, minimum wage because of the city’s financial woes. That action earned Scranton headlines in the New York Times, MSNBC, the Wall Street Journal, Fox News, NPR, and other mainstream media outlets. Now, there’s been chatter about the city’s recently created “amusement tax.” According to an article in Electric/Diamond City, a notice was sent to business owners about this tax in January, and the notice states that the tax allows the city “to impose a 5-percent tax upon privilege of attending or engaging in non-exempt amusements, including every form of entertainment, diversion, sport, recreation and pastime, requiring all persons, partnerships, associations and corporations conducting places of amusements; imposing duties and conferring powers upon the Treasurer of the City of Scranton; prescribing the method and the manner of collecting the tax imposed by the ordinance; and imposing penalties for the violation thereof.”

Editor Tom Graham’s piece raises important questions, too. “Exactly 5 percent of what?” he asks. 5 percent of a ticketed event? 5 percent of cover charges collected at the door? How exactly will the money be collected? There is a lot of troubling aspects of this tax. If it is imposed, it will probably hurt some of the smaller venues downtown by not only whacking them with the tax, but also by driving bands, writers, actors, actresses, and other entertainers away from Scranton venues because the tax would impact how much they get paid to perform. Scranton has a lot of issues, but thanks to First Friday and the strong, growing art and entertainment community, it does have culture. It would be a shame if this tax killed that.

The best thing to do is to attend city council meetings and call the mayor’s office and urge them not to enforce this tax. The contact information for city officials can be found here.

Jim Daniels at Wilkes U

The other day, while blogging about some local literary events going on in the Scranton/Wilkes-Barre one, I forgot to mention one, and it’s a good one.

Poet Jim Daniels will be reading at Wilkes University, Thursday, Feb. 20 at 7 p.m. in the Kirby Salon.  The event is free. Here’s a brief bio of Daniels:

Daniels has been teaching creative writing at Carnegie Mellon since 1981. His recent books include Having a Little Talk with Capital P Poetry, and All of the Above, poetry; and Trigger Man, short fiction. Street, a book of his poems accompanying the photographs of Charlee Brodsky, won the Tillie Olsen Prize from the Working-Class Studies Association. In addition, he has edited or co-edited four anthologies, including Letters to America: Contemporary American Poetry on Race, and American Poetry: The Next Generation. His poems have been featured on Garrison Keillor’s “Writer’s Almanac,” in Billy Collins’ Poetry 180 anthologies, and Ted Kooser’s “American Life in Poetry” series.

Daniels has received the Brittingham Prize for Poetry, two fellowships from the National Endowment for the Arts, and two from the Pennsylvania Council on the Arts. His poems have appeared in the Pushcart Prize and Best American Poetry anthologies.

This marks the second time in less than a year that Daniels has read in NEPA. Last April, he read at Keystone College. If you like working-class, narrative poetry, then I recomend catching Daniels Thursday night. He is a fine poet and a good reader, too.

 

NEPA Literary Events

Local writer Harold Jenkins has been doing a wonderful job keeping up with all of the literary events happening in the Scranton/Wilkes-Barre area, and on the Northeastern Pennsylvania Writer’s Collective blog, he posted a list of events happening throughout the rest of February. I thought I’d share because the more people that hear about these events, the better. I also want to note that I’m doing a featured reading on Friday, Feb. 28 at The Dietrich Theater in Tunkhannock. I’ll be reading some new poems and from my latest collection, All That Remains. There’s an open mic, too. Sign-ups start at 6:30, and the event begins at 7.

Here’s a list of the other events:

Thursday, February 20 – Scranton
Third Thursday Open Mic Poetry Night at the Vintage, 326 Spruce Street, sponsored by the Northeastern Pennsylvania Writers Collective! Sign-ups begin at 8:00, poetry at 8:30, hosted by K.K. Gordan. This is a free event, but donations to support the Vintage are encouraged and appreciated.

Friday, February 21 – Wilkes-Barre
Third Friday Spoken Word Event W. Featured Performers MOCK SUN! at Art Seen On The Square, 21 Public Square, Wilkes-Barre. Open Mic plus special musical feature Mock Sun, hosted by Special Guest M.C. Alex Devirgilis. Sign-ups begin at 7:30, readings begin at 8:00.

Sunday, February 16 and Sunday, February 23 – Stroudsburg
Every Sunday features the Open Mic at the Living Room, 522 Main Street in Stroudsburg, next to the Sherman Theater. Sign-ups begin at 6:30, performances at 7:00.

Friday, February 28 – Scranton
The fifth edition of Kick Out the Bottom Open Voice Poetry Reading at Embassy Vinyl in Scranton, hosted by Charwonica Dziwozony. Limited to thirteen readers, signups begin at 6:45, poetry begins at 7:00. The event is BYOC – Bring Your Own Chair.

Friday, February 28 – Tunkhannock
Open Mic Night at the Dietrich Theater, 60 E Tioga Street, Tunkhannock. Featuring Brian Fanelli. Sign-ups begin at 6:30, performances at 7:00. Open to audiences and performers of all types. Poet Brian Fanelli will be reading from his new book All That Remains. Call the Dietrich at 570-996-1500 for details. Hosted by Laurel Radzieski.

Saturday, March 1 – Scranton

Writers’ Showcase at the Vintage, 7 p.m., featuring Laura Duda, Jeff Rath, Kevin McDonough, Amanda J. Bradley, and Le Hinton. Free, but donations to The Vintage encouraged and appreciated. Hosted by Brian Fanelli and Jason Lucarelli.

In Honor of Maxine

The American poetry scene has lost some big names over the last few years, including W.D. Snodgrass and Adrienne Rich. This weekend, Pulitzier-prize winning poet Maxine Kumin passed. In an article published by The Los Angeles Times, Carol Muske-Dukes says of Kumin’s work, “Kumin wrote deceptively straightforward poems. The ‘below surface’ artistry of these poems lay in their ability to transform familiar experience to precisely calibrated insights, couched in a quietly elegant style.”

Most recently, over Christmas break, I was thinking of Maxine Kumin while reading Anne Sexton’s letters, specifically how Kumin provided important support and friendship to Sexton, especially through Sexton’s bouts with depressions or doubt in her work. Kumin was also friends with Adrienne Rich and Sylvia Plath, and Muske-Dukes notes that the passing of Kumin means we “have lost the last ‘member’ of this august sisterhood of poets.” And yet, while Kumin may have addressed feminism and gender issues in her work, like the “sisterhood of poets,” I always enjoyed her naturalism, the way she recounted the cycles of life and death, witnessed after living on a farm in New Hampshire for years and raising horses.

For more info on Kumin’s work, visit her website here or her bio on the Academy of American poets here.

Winter/Spring Readings and a New Review

As the winter howls on, I’ve been focused on the coming spring months and rounding out the reading tour for my new book All That Remains. I will be reading around PA over the next few months, including in Tunkhannock, Gettysburg, and Lancaster.

In the meantime, I’m doing a reading in NYC this Sunday at 4 p.m. with Dawn Leas and William Wolak. This is part of the Phoenix Reading Series, and it will be held at the Upright Brew, located at 547 Hudson St. in the Village. There’s an open mic too, so if you do come, and you’re a writer, bring something to read. I will post info about the other upcoming readings closer to the dates.

In other news, I wanted to share a review of the new book that Poets’ Quarterly published. Big thanks to Andrew Ruzkowski for the review, which you can read here.

A Plug for Another Poet

Every now and then, I like to recommend books on here. One of my favorite poetry collections released in 2013 was Riceland by fellow Unbound Content author C.L. Bledsoe. The author of several short story collections and novel, Bledsoe relies on the narrative form in this collection, and his poetry is a poetry of pace, in this case rural Arkansas and the farm he grew up on. The poems also explore the ideas of masculinity and father/son relationships and brother/brother relationships. For more info, read my review of it here, published by PANK.

NYT Sheds Light on Adjunct Problem

In a recent article, The New York Times has shed more light on the adjunct labor problem. The article focuses on adjunct instructor James D. Hoff, who completed his Ph.D. in English nearly 18 months ago and can’t find a full-time job, despite having published several articles. The article is rather short, but does contain some alarming info, especially the statistic that from 1993 to 2011, the percentage of faculty members without tenure surged nationally from 57 percent to 70 percent, according to the American Association of University Professors. The article also points out that a lot of adjuncts used to just teach a class or two outside of their full-time job, but now it’s more and more common that adjuncts are scholars like Hoff with a family and mounting debt.

Good for The New York Times for writing again about this issue; however, the article is rather short and doesn’t mention anything being done to address this issue such as the unionization of adjuncts at NY schools. I encourage anyone concerned about the issue to write a letter to the editor to the Times or your own local paper to keep the conversation going.

One bright note the article points out is that the CUNY system has provided $10 million to support health benefits for adjuncts, and supports a program to move about 200 adjuncts into full-time jobs. With a continued conversation about this issue and continued pressure put on colleges and university, perhaps other academic institutions will follow CUNY’s model. It’s not perfect, but it’s a start.

East Coast Readings and Amiri Baraka’s Passing

On Thursday I had the pleasure of reading at the KGB Bar in New York City for a third time and at the Midtown Scholar Bookstore in Harrisburg the following night, two East Coast readings during the week New Jersey-based poet and Black Arts pioneer Amiri Baraka died.
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I was thinking about both venues a lot this last week and the nature and point of giving poetry readings, in the context of Amiri Baraka’s passing. The KGB Bar, situated in Manhattan’s Lower East Side, has been a staple of the East Coast poetry scene for years. Readings happen nearly every night. My reading was put on my Monique Lewis and her organization At The Inkwell, which gives voice to new and established writes. Monique makes no money for hosting these readings monthly and doing all of the PR, and yet, she does it, as a way to support other writers.

The reading at the Midtown Scholar Bookstore was put on by the Almost Uptown Poetry Cartel, which has been hosting readings for over 15 years. After my feature, I nearly sold out of books! The organizers don’t get paid for hosting a weekly reading series, but they do it again and again, like Monique and At the Inkwell, as a way to support other writes and maintain a community among artists. Beyond the weekly poetry readings, Midtown Scholar Bookstore is an intellectual hub in the middle of a state capital that has flirted with bankruptcy and has a skyrocketing crime rate. Yet, situated downtown is a place where intellectuals, young writers, activists, and even politician meet, a place with walls of books, matched only by The Strand in NYC. All of these people and organization provide community, and that should be what giving poetry readings and hosting readings is all about- community and giving a voice to others.

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On my way to Harrisburg, among the news of the Chris Christie Bridgegate scandal, I learned of Amiri Baraka’s passing. Baraka, a political activist and New Jersey resident, never saw a division between poetry and politics, poetry and education, and poetry and community. A leader of the Black Arts Movement, he helped give rise to a new generation of writers. After getting home from back to back readings, I felt inspired, ready to keep writing, doing readings, and hosting other writers in my community. Let’s take this week to go back to Amiri Baraka’s poetry, to read his past interviews, and remember that people are the foundation of politics and poetry is about community.

I’ll end this post with a video of Baraka from Bill Moyers’ show. This was recorded in 1999. It features some live readings, too. Here’s a link.