Upcoming Literary Events in NEPA

Many, many thanks to Harold Jenkins for putting the time and effort into creating another calendar of local literary events happening in northeastern, PA. Harold posted the events on the Northeastern Pennsylvania Writers’ Collective blog, and I’m posting them here so more people can see all that’s happening.

I just want to add one event not on the calendar. On Thursday, March 20 from 5-7 p.m., The Valley Community Library in Peckville is hosting its third annual Local Author Night, featuring book signings and readings by local authors. The event is free, and I’ll be there, so come say hello!

Here is a list of other local events:

Thursday, March 20 – Scranton
Third Thursday Open Mic at the Vintage, 326 Spruce Street, sponsored by the Northeastern Pennsylvania Writers’ Collective. Sign-ups begin at 8:00, poetry at 8:30. This month’s host will be Alvin K. Nurse. Come celebrate the first day of spring with poetry! This is a free event, but donations to support the Vintage are encouraged and appreciated.

Friday, March 21 – Wilkes-Barre
Third Friday Spoken Word featuring the Breaking Ground Poets at Art Seen On The Square, 21 Public Square, Wilkes-Barre. Open mic beforehand. Hosted by Sarah Scinto from The Times Tribune. Sign-ups begin at 7:30 (or whenever the sign-up sheet goes out, no less than 5-10 minutes before the readings), readings begin at 8:00.

Friday, March 21 – Tunkhannock
Open Mic Night at the Dietrich Theater, 60 E Tioga Street, Tunkhannock. Open mic, followed by a performance by the Terry Wayne Goodholm band. Sign-ups begin at 6:30, performances at 7:00. Open to audiences and performers of all types.  Call the Dietrich at 570-996-1500 for details. Hosted by Laurel Radzieski.

Sunday, March 23 – Scranton

A Lie is a Venial Sin (VT Stage Reading Series) The Vintage Stage Reading Series will kick off with a reading of a work by local playwright Ted LoRusso.

The Vintage is proud to kick off its 2014 stage reading series (in conjunction with its newly established resident ensemble) with a live stage reading of Ted LoRusso’s engaging work A Lie Is a Venial Sin .

March 23rd / 4:00 pm @ The Vintage

Free & Open to all (donations are encouraged to support The Vintage and continue its artistic programming and outreach).

The playwright will be in attendance for a Q&A discussion following the reading. The facilitator for this reading is Maggie A. O’Brien, who also serves as the resident ensembles producing director.

*NOTE: Due to strong language and content this reading is recommenced for mature audiences only.

There are a few more events scheduled for the end of March, including three events on March 28! For the rest of the events, check out the NEPWC blog.

Sometimes You Just Have to Say No

The nonfiction journal Brevity has a great blog post about ways to avoid overbooking yourself as a writer. The guest author, Lev Raphael, admits that most young writers say yes to everything for the exposure. However, there is  a danger to that because committing to so many engagements pulls a writer from the daily work schedule. Raphael shares some useful advice he learned from another writer during an engagement at a Jewish Community Center. “It’s not just the day you’re there, she (the other author) said, if it’s only a day.  It’s the day before, getting ready, and then at least one day of re-entry into your regular schedule, sometimes more, depending on how complicated your visit was.”

Raphael also notes that writers should consider whether or not the gig will be fun or challenging, and whether or not the compensation, if there is any, is worth it. Raphael’s post made me reflect upon all of the writing engagements and readings I’ve done in the last few years, which has probably neared 100 or so. More recently, most of them have been worth it and have led to book sales and networking with different writers and literary communities. However, when I first started doing this, I said yes to everything. I’ve driven a few hundred miles round trip to read before five or six people. Looking back, I would have said thanks, but no thanks to some of those engagements. Like Raphael advises, guard your time and worry about the work first and foremost.  Research the conference or reading series. Make sure the drive or air travel is worth it.

Why Cover Letters for Lit. Journals Matter

Here’s a little secret. At any given week of the year, I usually have poetry or critical essays in limbo at a dozen or so academic literary journals and magazines, waiting to be rejected or accepted. And, as well all know, writers recieve far more rejections than acceptances. This is all part of being a working writer. However, there are things that can be done to ensure your work recieves careful consideration by the editors and is not just disregarded in the large slush pile. First of all, the work has to count, obviously. It should be polished and revised. Second, there is the issue of the cover letter and writing a good cover letter. There are ways to ensure you’re not just sending the same letter off to every magazine and journal.

Kelly Davio, poetry editor for Tahoma Literary Review, has some excellent advice about what she looks for in cover letters, and she makes some points that I’ve never considered as a writer.  In a blog post,  she notes that editors do indeed look at the biographical information of the writer to ensure they have a diverse range of voices each issue.  So yes,   biographical information in a cover letter counts. For instance, if you’ve worked a number of odd jobs and you’re not an academic, that may be something to put in a cover letter, since most literary journals recieve hundreds and hundreds of submissions from M.F.A. students or tenure-track poetry professors.

She also notes that it’s important to reference how you heard of the journal. This so something I always try to do. Even if I heard of the journal on Facebook or at a conference and have never met the editors, I still mention how I learned of the publication. It’s even better, however, to actually buy an issue to get a better sense of what they publish. Then you can point to a particular writer or work they’ve published that you like.

Finally, like any cover letter, be brief and to-the-point, and don’t assume that prior accomplishments mean the editors will definitely publish your work.

More Upcoming Events

March is shaping up to be a busy month for me, with  some readings booked over the next few weeks, leading to some larger events for National Poetry Month. This Friday, March, 7, I’m reading in historic Gettysburg for  the first time ever. The reading will be at  7 p.m. at the Ragged Edge Café, 110 Chambersburg St.  I’m thrilled to take part in this long-running series and read in front of a different audience.

Fanelli_RagEdge_2014

If you can’t make that reading, but you’re in Scranton this weekend, then you should check out Micah Towery’s reading Saturday at 3 p.m. at Library Express in the Steamtown Mall. Micah  is the editor of TheThePoetry blog and the author of the new book of poems, Whale of Desire.

Then on Thursday, March 20, from 5-7, the Valley Community Library is hosting Local Author Night. Along with authors, I’ll be having a book signing and reading.

Writers’ Showcae at the Vintage

This Saturday, March 1, Jason Lucarelli and I will be hosting the Writers’ Showcase at The Vintage in downtown Scranton. The reading starts at 7, and I’m excited about our line-up! It should be  great night.  Our featured readers are Laura Duda, Jeff Rath, Emmalea Russo, Kevin McDonough, Amanda J. Bradley, and Le Hinton. Here is a list of their bios and here is a link to a feature story The Weekender just published on Le Hinton and the reading.

In addition to writing, Laura Duda’s creative outlets include a custom line of art called BarnYard Art where she utilizes recycled materials – old barn wood, barbed wire, saw blades, horse shoes, etc. – and natural elements to create art and jewelry.  She has also had gallery showings of her digital nature photography. She and her husband operate a horse drawn carriage business and reside on a small horse farm in Fell Township, Pennsylvania.  She an adjunct instructor in the humanities division at Lackawanna College, and co-chair of both the Creative Arts Club and First Friday Committee. She is also an adjunct faculty member at Southern New Hampshire University as an instructor in English composition and creative writing. Laura is a Spring 2013 graduate of the Wilkes University Creative Writing Master of Arts program where she focused on fiction and nonfiction.  She has had fiction published in the Osterhaut Library’s Word Fountain, and her non-fiction short story “Bonnie” was published in the Fall 2012 edition of the East Meets West American Writer’s Review; the story won honorable mention in the 2012 Fall Writer’s Contest.

Jeff Rath is the author of three collections of poetry: The Waiting Room at the End of the World (2007), In the Shooting Gallery of the Heart (2009) and Film Noir (2011), all published by Iris G. Press. His works have been published in a number of journals including Everyday Genius and Fledgling Rag. He is the 2007 R.E. Foundation Award winner and a Pushcart Prize nominee.

Emmalea Russo is a poet and visual artist making process-based works. Recent work has appeared in Two Serious Ladies and THE VOLTA. She is the author of they (an artist book made from thread and Gertrude Stein’s Stanzas in Meditation, GAUSS PDF, 2014), and the chapbooks book of southern and water (Poor Claudia, 2013) and CLEAR1NG (Dancing Girl Press, 2013). She lives and works in Brooklyn, NY.
Kevin McDonough is a full-time Assistant Professor at Lackawanna College. He teaches a range of English and writing courses including College Writing, Introduction to Literature, Women’s Literature, American Literature to 1900, and Language, Literacy, and Play. Kevin also works as an adjunct professor for Marywood University’s English department, teaching Composition and Rhetoric, Children’s Literature, and Structured Linguistics. He spends his time outside of the classroom writing and performing original music—and working on short fiction. His New Year’s resolution for 2014 is to actually start submitting his stories.

Amanda J. Bradley has two books of poems out from NYQ Books: Hints and Allegations was released in 2009 and Oz at Night in 2011. She has published poetry and essays in many journals including Kin Poetry Journal, The Nervous Breakdown, The Best American Poetry Blog, Rattle, The New York Quarterly, and Poetry Bay. She was interviewed in The Huffington Post in April 2013. Amanda is a graduate of the MFA program at The New School, and she holds a PhD in English and American Literature from Washington University in St. Louis. She is an Assistant Professor at Keystone College.

Le Hinton is the author of four poetry collections including, most recently, Black on Most Days (Iris G. Press, 2008) and The God of Our Dreams (Iris G. Press, 2010). His work has been published in Gargoyle, Little Patuxent Review, Unshod Quills, Watershed, Off the Coast, and in the poetry anthology/cookbook, Cooking Up South. His poem “Epidemic” was the winner of the Baltimore Review’s 2013 Winter Issue contest. In 2012, his poem, “Our Ballpark,” was incorporated into Derek Parker’s sculpture Common Thread and installed at Clipper Magazine Stadium in Lancaster, Pennsylvania, as part of the Poetry Paths project.

Some Changes Coming

If you’ve visited my blog lately, you’ve noticed a few changes. I’ve made efforts to personalize the blog, including a new banner and links for upcoming events/readings, an updated bio page, and samples of my poetry. This is being done because I’m updating brianfanelli.com to run and customize it through WordPress. The host name/domain will remain the same, however. There will be additional links added soon to condense various publications credits and interviews I’ve done. Many, many thanks to my friend, web design guru, and writer Nathan Summerlin for this.

I hope you like the changes and keep coming back. Stay tuned!

 

 

I love Scranton, but…

Everyone knows that Scranton is broke. The city made national headlines a few years go when former mayor Chris Doherty paid city workers, including police officers, minimum wage because of the city’s financial woes. That action earned Scranton headlines in the New York Times, MSNBC, the Wall Street Journal, Fox News, NPR, and other mainstream media outlets. Now, there’s been chatter about the city’s recently created “amusement tax.” According to an article in Electric/Diamond City, a notice was sent to business owners about this tax in January, and the notice states that the tax allows the city “to impose a 5-percent tax upon privilege of attending or engaging in non-exempt amusements, including every form of entertainment, diversion, sport, recreation and pastime, requiring all persons, partnerships, associations and corporations conducting places of amusements; imposing duties and conferring powers upon the Treasurer of the City of Scranton; prescribing the method and the manner of collecting the tax imposed by the ordinance; and imposing penalties for the violation thereof.”

Editor Tom Graham’s piece raises important questions, too. “Exactly 5 percent of what?” he asks. 5 percent of a ticketed event? 5 percent of cover charges collected at the door? How exactly will the money be collected? There is a lot of troubling aspects of this tax. If it is imposed, it will probably hurt some of the smaller venues downtown by not only whacking them with the tax, but also by driving bands, writers, actors, actresses, and other entertainers away from Scranton venues because the tax would impact how much they get paid to perform. Scranton has a lot of issues, but thanks to First Friday and the strong, growing art and entertainment community, it does have culture. It would be a shame if this tax killed that.

The best thing to do is to attend city council meetings and call the mayor’s office and urge them not to enforce this tax. The contact information for city officials can be found here.

Jim Daniels at Wilkes U

The other day, while blogging about some local literary events going on in the Scranton/Wilkes-Barre one, I forgot to mention one, and it’s a good one.

Poet Jim Daniels will be reading at Wilkes University, Thursday, Feb. 20 at 7 p.m. in the Kirby Salon.  The event is free. Here’s a brief bio of Daniels:

Daniels has been teaching creative writing at Carnegie Mellon since 1981. His recent books include Having a Little Talk with Capital P Poetry, and All of the Above, poetry; and Trigger Man, short fiction. Street, a book of his poems accompanying the photographs of Charlee Brodsky, won the Tillie Olsen Prize from the Working-Class Studies Association. In addition, he has edited or co-edited four anthologies, including Letters to America: Contemporary American Poetry on Race, and American Poetry: The Next Generation. His poems have been featured on Garrison Keillor’s “Writer’s Almanac,” in Billy Collins’ Poetry 180 anthologies, and Ted Kooser’s “American Life in Poetry” series.

Daniels has received the Brittingham Prize for Poetry, two fellowships from the National Endowment for the Arts, and two from the Pennsylvania Council on the Arts. His poems have appeared in the Pushcart Prize and Best American Poetry anthologies.

This marks the second time in less than a year that Daniels has read in NEPA. Last April, he read at Keystone College. If you like working-class, narrative poetry, then I recomend catching Daniels Thursday night. He is a fine poet and a good reader, too.

 

NEPA Literary Events

Local writer Harold Jenkins has been doing a wonderful job keeping up with all of the literary events happening in the Scranton/Wilkes-Barre area, and on the Northeastern Pennsylvania Writer’s Collective blog, he posted a list of events happening throughout the rest of February. I thought I’d share because the more people that hear about these events, the better. I also want to note that I’m doing a featured reading on Friday, Feb. 28 at The Dietrich Theater in Tunkhannock. I’ll be reading some new poems and from my latest collection, All That Remains. There’s an open mic, too. Sign-ups start at 6:30, and the event begins at 7.

Here’s a list of the other events:

Thursday, February 20 – Scranton
Third Thursday Open Mic Poetry Night at the Vintage, 326 Spruce Street, sponsored by the Northeastern Pennsylvania Writers Collective! Sign-ups begin at 8:00, poetry at 8:30, hosted by K.K. Gordan. This is a free event, but donations to support the Vintage are encouraged and appreciated.

Friday, February 21 – Wilkes-Barre
Third Friday Spoken Word Event W. Featured Performers MOCK SUN! at Art Seen On The Square, 21 Public Square, Wilkes-Barre. Open Mic plus special musical feature Mock Sun, hosted by Special Guest M.C. Alex Devirgilis. Sign-ups begin at 7:30, readings begin at 8:00.

Sunday, February 16 and Sunday, February 23 – Stroudsburg
Every Sunday features the Open Mic at the Living Room, 522 Main Street in Stroudsburg, next to the Sherman Theater. Sign-ups begin at 6:30, performances at 7:00.

Friday, February 28 – Scranton
The fifth edition of Kick Out the Bottom Open Voice Poetry Reading at Embassy Vinyl in Scranton, hosted by Charwonica Dziwozony. Limited to thirteen readers, signups begin at 6:45, poetry begins at 7:00. The event is BYOC – Bring Your Own Chair.

Friday, February 28 – Tunkhannock
Open Mic Night at the Dietrich Theater, 60 E Tioga Street, Tunkhannock. Featuring Brian Fanelli. Sign-ups begin at 6:30, performances at 7:00. Open to audiences and performers of all types. Poet Brian Fanelli will be reading from his new book All That Remains. Call the Dietrich at 570-996-1500 for details. Hosted by Laurel Radzieski.

Saturday, March 1 – Scranton

Writers’ Showcase at the Vintage, 7 p.m., featuring Laura Duda, Jeff Rath, Kevin McDonough, Amanda J. Bradley, and Le Hinton. Free, but donations to The Vintage encouraged and appreciated. Hosted by Brian Fanelli and Jason Lucarelli.

In Honor of Maxine

The American poetry scene has lost some big names over the last few years, including W.D. Snodgrass and Adrienne Rich. This weekend, Pulitzier-prize winning poet Maxine Kumin passed. In an article published by The Los Angeles Times, Carol Muske-Dukes says of Kumin’s work, “Kumin wrote deceptively straightforward poems. The ‘below surface’ artistry of these poems lay in their ability to transform familiar experience to precisely calibrated insights, couched in a quietly elegant style.”

Most recently, over Christmas break, I was thinking of Maxine Kumin while reading Anne Sexton’s letters, specifically how Kumin provided important support and friendship to Sexton, especially through Sexton’s bouts with depressions or doubt in her work. Kumin was also friends with Adrienne Rich and Sylvia Plath, and Muske-Dukes notes that the passing of Kumin means we “have lost the last ‘member’ of this august sisterhood of poets.” And yet, while Kumin may have addressed feminism and gender issues in her work, like the “sisterhood of poets,” I always enjoyed her naturalism, the way she recounted the cycles of life and death, witnessed after living on a farm in New Hampshire for years and raising horses.

For more info on Kumin’s work, visit her website here or her bio on the Academy of American poets here.