Jennifer Diskin Memorial Fund

Anyone who has been around the NEPA literary scene for a while knows who Jennifer Diskin was. For a number of years, she participated in local writing workshops and hosted poetry readings or shared her own work. I first met her when I was in high school and attended a workshop by the Mulberry Poets and Writers Association at the Scranton Public Library. Like most teenangers, I was in the nascent stages of writing, but Jennifer’s comments were supportive and encouraging, pointed without being harsh enough to ruin a teenanger’s fragile ego.

In Dec. 2011, Jennifer passed away at the age of 38 from Hodgkin’s lymphoma. During the last few months of her life, I had the pleasure of reading with her twice, once at Prose in Pubs at Jack’s Draft House in Scranton, and a second time at Wilkes University for an M.F.A. alumni reading. Despite her frail condition and the fact she was bound to a wheelchair, Jennifer still got on stage and read her poems.

To honor her memory, Wilkes University, specifically the Graduate Creative Writing Program, started a scholarship in her name. There will be a fundraiser this Sunday, Nov. 10 at Sidel’s Restaurant, located at 1202 N. Main St. in Scranton. The event will be held from 6-10, and if you knew Jennifer or just want to support this scholarship, please consider attending.

Here is a link to a story The Abington Journal just pubished about the event.

World Literature Today

Some of my poet/writer friends already posted about this on their blogs, but World Literature Today just published a working-class themed issue, edited by my friend Jeanetta Calhoun Mish. In her editorial, Mish gives a nice overview of the contemporary history of working-class writing and the various small journals and presses that support such work. Mish writes, “There are likely hundreds more tiny working-class presses and journals in every corner of the nation. They find their places in a history of working-class disruption of mainstream, middle-class literary production, following a tradition that includes pamphleteering by Diggers, protesting enclosure in seventeenth-century England, Emanuel Haldeman-Julius’s Little Blue Books that sold for ‘as little as five cents’ (Potts) in the 1920s and ’30s and were ‘small enough to fit in a trouser pocket,’ and d. a. levy’s ‘mimeograph revolution’ in the 1960s. Poetry, in the calloused hands of working-class people, is more than just self-expression; it is radical praxis, critical pedagogy, disruptive rhetoric, and a call to solidarity.” Her editorial is a nice map to this kind of writing current being published and the presses and journals that support it.

I am thrilled that Mish picked one of my poems for the issue, which you can read here. The issue also includes work by Jim Daniels, Dorianne Laux, and several Pennsylvania-based poets, including Sandee Gertz Umbach, who completed her MFA with me at Wilkes University a few years ago. To read all of the poems, click here.

First Friday!

Recently, Lackawanna College has become involved with Scranton’s monthly art walk First Friday. As part of this month’s First Friday at Lackawanna, I have been invited to read selections from All That Remains at the college’s Seeley Memorial Library, located at 406 N. Washington Avenue in Scranton. This event will also feature student artwork, a student open mic, and music by  Joey Zarick, lead guitarist and singer of Boston-based band The Indobox and formerly of Scranton-based band Rouge Chimp. The event is free and open to the public. I will have books available for sale.

Press Round-Up

I wanted to share some links to some various press that my collection All That Remains has received over the last few weeks. Boston Literary Magazine just ran an interview with me about the book. You can read that here. Electric City also ran an interview with me, which you can read here. Finally, you can hear a radio interview I did with WVIA here.

I’ll continue posting more info about readings and reviews over the next few weeks.

Launch Day!

Well, today is the day! My first full-length book of poems, All That Remains, is out through Unbound Content. If you want a copy of the book, you can order it through the publisher by clicking here or through Amazon here.

To celebrate, I’m having a launch party tonight at The Vintage Theater, 326 Spruce Street in Scranton. The event starts at 7, and I’ll have books available. I’m also reading next week, Friday, Nov. 1, at the Seeley Memorial at Lackawanna College. That event starts at 6 p.m., and it is part of Scranton’s First Friday. There will also be student artwork, a student open mic following my reading, and live music.

It’s Getting Closer!

Only two weeks remain until my poetry collection, All That Remains, is released through Unbound Content. I am getting more anxious with each passing day, but after seeing the proof copy earlier this week, I feel more at ease. There is nothing like holding the book in your hand, flipping through pages of poems you labored over.

The official release/launch party will be held on Friday, Oct. 25 at 7 p.m. at the Vintage Theater in Scranton (326 Spruce Street). The event is free, and I will have books available for sale and to sign.  Following the launch party, I am doing readings in NJ, NYC, the Philly area, and pockets of Pennsylvania. All scheduled readings can be found on my main website.

Meanwhile, I did interviews with some of the local papers around here as well as Boston Literary Magazine, Poets Quarterly, and The Write Life. Those interviews will be posted in a week or two, and I will share the links when they become available. There should also be some reviews posted soon by PANK and At the Inkwell.

 

 

It’s Almost Here!

About a year and a half ago, my full-length collection of poems, All That Remains, was accepted for publication by Unbound Content. Since then, I’ve had a wonderful time working with the publisher in putting the book together. I’m happy to announce that the book will be out in the coming weeks. We are in the final round of edits now, and I should have the final proof copy very, very soon. I have a release party planned at the Vintage Theater in Scranton for this fall, and I will post more details about that in the next week or two. I also have readings scheduled in the Philly area, NJ, NYC, and parts of PA for late in the year into 2014. Putting this collection together was a long, hard process, as writing always is, but I’m excited and eager to share the final product with everyone soon.

The cover design was done by Jeff Smyers, who designed brilliant covers for other Unbound Content books.

viewer

Over the next few weeks, I’ll be posting more updates about the book and various readings, so stay tuned!

And the Beat Goes On

Over the last few years, the Beat writers have infiltrated the big screen. In 2010, James Franco stared in a biopic about Allen Ginsberg entitled Howl, which focused on the obscenity trial surrounding the poem’s publication and Ginsberg’s publisher Lawrence Felinghetti/City Lights Press. The movie generally received positive reviews, and I also enjoyed it, specially for the film’s attention on literature and the ever-ending question of what constitutes literature. The film is less about Ginsberg’s wild life and more about the poem and its impact.

Then just last year, there was a film adaptation of On the Road, which had a limited release and mixed reviews. Now, there is a new movie out about the Beat generation entitled Kill Your Darlings. This one looks more promising than the other recent film adaptations of the Beat writers’ lives and work. The film stars Daniel Radcliffe as a young Allen Ginsberg studying at Columbia, where he met William Burroughs, played by Ben Foster, Jack Kerouac, played by Jack Huston, and other writers associated with the movement. Specifically, the film focuses on the murder investigation that involved Ginsberg, his classmate Lucien Carr, and Burroughs. So far, the movie has earned positive reviews, and it should open to wider release soon. Here is a trailer:

An Appropriate Elegy

Dozens of commentaries and elegies have been published since Seamus Heaney’s passing over the weekend. Out of all of them I read, I found this one the most moving, written by Paul Muldoon for the New Yorker’s blog.

I hope it helps you appreciate Heaney’s work more if you don’t already.