Some Practical Advice for Poets

A few weeks ago, I came across an article in the New York Times about Jeffrey Skinner’s book The 6.5 Practices of Moderately Successful Poets. I’ll admit that prior to the article, I’ve never heard of Skinner, even though he has five collections of poetry out and has been published in major publications, including The Atlantic and New Yorker, but after reading the review, I wanted to get my hands on his new book.

His latest work isn’t really at all a craft book, and it doesn’t feature writing prompts. Instead, it offers sound advice for poets at any level, and it does so with great sarcasm and wit. One of my favorite pages in the book is a list featuring the “Top Ten Poet Complaints,” which includes lines like “I haven’t heard of a single person in this lit. mag,” “I guess you have to be famous to be in this lit. mag,” and “AWP keeps turning down my panel.”

Besides the humor, the book offers plenty of useful advice and reflections on the writing process. I especially like the chapter in which Skinner compares the act of writing to getting lost in the forest and states, “you have to get more immediately and literally lost every time you face the white page and the words begin to appear (or don’t) and you follow, with no idea where you’ll end up.” He also admits in the same chapter that very few appreciate poetry, but to become successful in the genre requires a writer to “commit to uncertainty” and to “unreasonable devotion.”

My favorite chapter is the one in which Skinner describes the classes he took at Columbia with Howard Moss, David Ignatow, and last year’s Poet Laureate Philip Levine. He depicts Ignatow as more concerned with his rising poetry career than the students. Moss, however, is depicted more kindly, and Levine is treated as a wonderful, but tough mentor, who, to paraphrase Skinner, knew his own skills and limitations as a poet.

The 6.5 Practices of Moderately Successful Poets is the most humerous book on craft I’ve yet to read, and also one of the most useful. It’s a wonderful book for teachers, students, and poets of all levels.

Help Out FootHills Publishing

Foothills Publishing has been a staple of the literary community here for years, and since 1986, the press has published over 300 chapbooks and full-length collections of poetry, including by several local poets.  Its founder and editor, Michael Czarnecki, has given workshops all over northeast, PA and other pockets of the tri-state area. What makes the press especially  unique is that the books are handcrafted, making them total works of art.

Recently, the press suffered a major setback. Michael and his wife, Carolyn, had a devestating house fire that destroyed most of their possessions, including the books. The family’s Amish neighbors have volunteered to do a house-raising, if enough funds are raised.

An indigogo campaign has been launched to try to salvage the press and restore the home. You can find more info about it here. Any size donation would be much appreciated.

Some Tips for New Writers

This afternoon, while enjoying one of the last days of summer vacation with my niece at Kirby Park, I met another resident who told me he’s interested in writing, and he asked what advice I’d give a new writer. My conversation with him made me want to come home and write down the basic feedback I would give to anyone just starting out.

1. Write daily. This is the first piece of advice I give to anyone. Even if you have a full-time job and family, make time for writing daily, even if it’s for 10 minutes. Serious writing should become a habit, much like exercise. The more you do it, the easier it becomes. The muse isn’t going to show up if you don’t put the time and effort in. My writing schedule is pretty standard. I do it in the morning for at least an hour, usually more. I start by journaling and freewriting, and then I move to drafting or revising a new poem. Once I’m done teaching for the day, I often return to my writing in the evening and do revisions then. This schedule won’t work for everyone, so find a time that works best for you, no matter the time of day or night.

2. Find a writing community. Most of your friends or family that aren’t writers won’t care about the great novel you just read or the book of poems you’re revising, so it’s important to find a community of writers to connect with so you can get support and feedback. Writers need other writers because otherwise, the world feels like a lonely place. You can find information about writing workshops in your local art papers. If you live in a rural area where there aren’t any workshops, find some online. While completing her senior year creative capstone project last year, a student told me that she was part of an online writing community that gave her frequent helpful feedback on her novel-in-progress, and that feedback showed in her work.

3. Read as much as possible. This can’t be stressed enough.  No matter your genre, you should be reading as much as you can. If you’re a poet and serious about the craft, it’s crucial to understand the traditions, movements, and key players that came before so you have a better understanding of what’s happening now and what’s already been done. A poet’s work should possess a “historical sense,” in the words of T.S. Eliot, meaning not only some resemblance to traditional works, but also an awareness and understanding of their relation to one’s own writing and contemporary literature. This belief can be applied to any genre of creative writing.

4. Don’t stress over publishing credits. Before you worry about seeing your name in print, focus on finding a writing community, reading, and making your writing as strong as possible. If you put the work in, the publishing credits should come.

Finally, if you have some extra money or belong to a local library, check out some craft books on writing. I always find them useful. My favorite ones for poetry are Best Words, Best Order by Stephen Dobyns, The Triggering Town by Richard Hugo,  The Poet’s Companion and Ordinary Genius by Kim Addonizzio, and A Poetry Handbook by Mary Oliver. There are plenty of others too in all different genres. Just noodle around Google.

 

 

Word Fountain Flood Issue

Rachael Goetzke and Ed Lupico, my friends and fellow writers at the Osterhought Library in Wilkes-Barre, are trying to pull together a glossy issue of the journal they run entitled Word Fountain. They want the next issue to focus on the flood from last September and Hurricane Agnes of 1972 that caused the evacuation of several communities throughout Pennsylvania, especially the northeastern part of the state. They are seeking fiction, poetry, essays, art, and pictures.

They plan to donate all of the money they generate from the issue to flood victims. I know that a lot of my friends in this area were affected in one way  or another by the most recent flooding, or they have relatives that shared stories about Agnes. Why not try to write something for the issue?

There’s still time to submit. The deadline is this week.

Click this link for more info and the submission guidelines.

Romney Gambles His Political Future on Paul Ryan

Late Friday night, word broke that Mitt Romney was going to pick Wisconsin Congressman Paul Ryan for join him on the ticket as VP. The decision was formally announced Saturday morning in Virgina, aboard the USS Wisconsin, which is a bit ironic since neither men have military experience.

Ryan should galvanize progressives to get out and vote for a number of reasons. The Congressman believes in a total Ayn Rand philosophy of the individual versus the collective and extreme limited government. Several articles about him point out that he used to make his staff read Rand.  He wants to turn Social Security and Medicare into a voucher system, basically privatizing it and ending it as we know it.His budget plan was even called “too radical” by former House Speaker Newt Gingrich, who said it would lead to  “right-wing social engineering.” However, later Gingrich walked back those comments.  Ryan also draws the ire of the left because he’s had the support of the Koch-brothers for years in WI, and they helped him make his name by pumping money into his campaigns.

On the other side, Ryan will galvanize the fringe Tea Party wing of the GOP, though perhaps they’re not the fringe anymore, if Ryan is now sitting on the Romney ticket. The right has won, but in the end, it may sink the GOP’s chances to win the White House. Democrats and their SuperPACS have salavated at the chance to go after the Ryan budget in attack ads. Now they’ll have the chance, and the country will have a serious debate about the Ryan budget that nearly every Republican voted for in the House earlier this year.

For more about Ryan, I suggest reading this article that appeared recently in the New Yorker. To paraphrase the article’s author, Ryan Lizza, putting Ryan on the ticket is the riskiest move Romney could have made.

An Anxious America

Newsweek has a great piece in its current issue about the current economic state of America and the growing anxiety among Americans. The article, written by David Frum, proposes the possibility that the golden age of America is over and the idea that every generation will do better than the previous one is eroding. The article is filled with compelling statistics to make the case, and a lot of them are alarming. Here are some startling statistics regarding young people.

According to Frum’s article, families headed by people under 35 are 70 percent poorer today than they were in 1984, due to lower wages, student debt, and more expensive housing. As of 2010, students that borrowed money to finance their education had an average debt of $25,000. Meanwhile, that same year, the unemployment rate for college grads hit 9.1 percent. This does not count the countless number of grads underemployed.  Meanwhile, two-thirds of young Americans don’t complete college, and for high school graduates with no college degree, the job situation is even more dire. Frum writes, “They  earn less, in nominal dollars, than their counterparts of 40 years ago. They are far less likely to be protected by health insurance. Their chances of marrying, staying married, and being happy within marriage have all collapsed compared with a generation ago.”

The end of the article points out that during the last great economic crisis, in 1929 into the 1930s, there was much more government action in the form of the New Deal and other innovations. But, as Frum points out, it’s not likely anything like that will be proposed again, at least not in this era, due to the anti-government stance the GOP has adopted and the likelihood that that party will at least still control the House of Representatives after the fall election.  As a political junkie, I’m also betting that the GOP has a decent chance of winning the Senate too, due to the fact the Dems have a slim majority there, and they have to defend 24 seats, far fewer than the GOP. But I’m betting on President Obama winning re-election. However, his plans to improve the economy, largely through raising taxes on the wealthiest of Americans, will be stymied with a GOP-controlled Congress. They’ve already blocked several of his jobs  and tax bills over the last three and a half years.

Frum ends the article with a haunting assessment, writing, “Many today fear that a new America is being shaped in this economic crisis-an America in which only a talented and fortunate few will find opportunities on a global scale, while the working many will experience a long slow decline in their living standards and life chances. Many fear that the days when it meant something special to be an American are drawing to a close.”

He also poses the question that if indeed the golden age of America is over, then what will the future look like? Will college students continue to be saddled with debt and unable to find full-time jobs that lead to a comfortable middle-class life? Will people without college degrees, especially young white males, struggle because there are fewer manufacturing jobs than there were decades ago?

If the economy does improve, it seems unlikely it will happen within the next year or two. July’s job report showed that 160,000 new jobs were added, about 60,000 more than expected, but the jobs reports from the previous two months were dismal. Frum predicts it will be at least another half a decade until the U.S. is back to nearly full employment. Meanwhile,  how will America be shaped and defined in that long stretch of time? It’s clear that this ongoing economic crisis/recovery is going to have a lasting impact, especially in regards to the outlook and attitudes of Americans.

American Poet

A few months ago, I raved about the book American Poet by Jeff Van Zande. As I said in a previous post, as a poet, I loved the novel, especially some of the funnier scenes- the awkward open mic nights and the failed job interviews the protagonist undergoes. But beneath all that, there is a tenderness and a reminder how important poetry and the arts are to one’s community.

My review of the book finally appeared over at PANK. Check it out here, and please check out Jeff’s book.

Oh, How I Miss Indie Bookstores

As I write this blog, it’s about 1 a.m. on a Thursday night. I just returned from doing a reading at Farley’s Bookshop in New Hope, PA, outside Philly. By far, Farley’s is one of my favorite bookstores that I’ve read at. Its fiction and non-fiction collections are extensive, and it has a decent poetry selection, far better than what you find in Books-a-Million or Barnes ‘N Noble. Even better, Farley’s showcases several indie poetry/fiction presses, including TriQuarterly Books, Hanging Loose Press, and Press 53. They have walls and walls of books on display from indie publishers. I have yet to visit another bookstore in PA that does that.

The poetry reading itself had an attentive audience that asked several quesions during the Q & A session, mostly regarding the writing process and some about publishing. If you live in the Philly area, you should check out the featured poetry readings. They take place every first Thursday of the month from 8-10 p.m. Following the featured reader, there is a limited open mic. The organizer, Bernadette McBride, does a wonderful job keeping the reading series going throughout the year.

Browsing Farley’s bookshelves made me miss the indie bookstores we used to have in NEPA, including Tutor and Anthology New and Used Books, both long gone. When they were around, they hosted a lot of workshops, open mics, and featured readings. Like Farley’s, these spaces kept the local writing scene alive, and they were especially important in allowing young writers to share their work and get feedback.

After the reading, I was happy to see that Farley’s had several customers browsing and buying books. I hope the store continues to draw a lot of customers because it’s a real asset to the community.

Now it’s time to get some sleep!

New Hope

This Thursday, I’m venturing to one of my favorite towns in Pennsylvania, New Hope, a suburb of Philadelphia located in Bucks County. I enjoy New Hope for its charm, for its array of restaurants and shops near the river that snakes and cuts through the town. I’m going there to do a reading at Farley’s Bookshop, by far one of the best indie bookstores I’ve been to, especially in PA. The store has a wide selection of fiction and non-fiction, bookshelves that showcase releases from indie presses, and a decent poetry section.

The reading starts at 8, and a Q & A will follow. I wrote my set list on paper, and it will be a little different than other readings I’ve done this year. It will include a few poems from my chapbook Front Man, but it’s also going to include some poems from the book I have coming out next summer. I’ve been holding back on reading a lot of poems from the new book because I’ll do a lot of readings next year centered around the new publication. But I’ll give a small preview at Farley’s.

I’m looking forward to this, and if you’re in the area, please stop by. If you have extra time, browse New Hope’s shops before stopping over at Farley’s.

A Scranton Venue Needs Help

A few months ago, the Vintage Theater in downtown Scranton closed its doors on the Penn Avenue location, leaving the city with one less all-ages venue. When it happened, I thought, oh great, another loss of an arts venue in this area. I’ve always felt that all-ages venue are important to any community. When I was in high school, I wasn’t into sports, so I found solace in attending punk and indie shows at some other now-defunct venues- Cafe Del Soul, Homebase, and Cafe Metropolis. These places welcomed kids that were into music, art, or poetry. When I lived in the Philly area for 7 or 8 years, I also hung out at various arts venues and started doing a lot of poetry readings. Without those venues, maybe I never would have become a poet/writer. They provided a place for me to exercise my craft and share my work in writing groups and with a live audience at open mic nights, long before I went around the tri-state area doing featured readings.

Fortunately for the Scranton arts community, the Vintage Theater is trying to re-open to a new location in the downtown. A task force has been created, and I’m happy to say that my girlfriend Jenna and I are on it, along with a lot of other artists, musicians, and writers that care about places like this. To make the Vintage Theater succeed, there are a few fundraisers coming up. This Friday, there will be a fundraiser at the Houdini Museum, located at 1433 North Main Ave. The event starts at  7 p.m. and will feature music and comedy. Tickets are $15. Refreshments will be provided.

There will be another fundraiser on Thursday August 9 at Mert’s Bar, located on Penn Avenue in the downtown. Tickets are $20, and that will provide access to an open bar and food. There will also be a raffle for various gift baskets and prizes.

The venue is also raising money through an Indiegogo campaign, and the goal of that is to raise $3,500 in about three and a half weeks. You can make a small donation online by clicking here.

This area barely has any all-ages venues left, so let’s help the Vintage Theater re-open and stay open.