The Space for Poetry

Lately, I’ve been re-reading a lot of Adrienne Rich’s poetry and essays, in part because I’m working on a field exam about the intersection between personal narrative poetry and social and political issues. Beyond my research, I’ve always enjoyed Rich’s theories and poetry and teach her work when I can. There are two essays/notebook entries of Rich’s I’ve been thinking about lately, “The Space for Poetry” and “What Could We Create?,” both available in What Is Found There: Notebooks on Poetry and Politics.

In both pieces, Rich addresses poetry’s dilemma in the U.S., namely that is not leashed to profit and consumerism, so it is pushed to the margins, given little space in public discourse. In “What Would We Create?” she states that poetry has been placed under house arrest and is irrelevant to mass entertainment culture and wealth, thus out of sight and out of mind in a hyper-capitalistic society.

In another essay/journal entry from the same collection, “Those Two Shelves, Down There,” Rich explores this idea a bit more while addressing chain bookstores and the fact poetry occupies very little space in such stores. She concludes the essay with the statement, “I’m on a search for poetry at the mall. This is not sociology, but the pursuit of an intuition about mass marketing, the so-called free market, and how suppression can take many forms-from outright banning and burning of books, to questions of who owns the presses, to patterns of distribution and availability.”

I keep thinking about Rich’s essays and journals on poetry and politics and this idea of accessibility and poetry under house arrest. I keep thinking of these essays as yet another report has surfaced that Barnes & Noble plans even more stores closures by year’s end. With the loss of the indie bookstores, thanks to Borders and Barnes & Noble, and now the loss of the chain stores, thanks to Amazon, what does that mean for the state of poetry and its accessibility? Sure, Amazon and other online stores offer countless poetry books, but don’t most people visit those sites with specific purchases already in mind? I find it quite unlikely a consumer is going to discover a poet by browsing Amazon.

There are certainly numerous poetry events happening in communities and countless reading series, but young poets only get better from reading, reading, and re-reading different poets and different traditions. As much as I’ve griped about Barnes & Nobles’ poetry selection, the closure of more stores means greater inaccessibility to poetry. What does that mean for the future of poetry? Will we continue to see the journals and magazines filled with names of recent M.F.A. and Ph.D. grads because they’re the ones most reading poetry? I don’t know, but I’m optimistic that maybe, just maybe, the loss of the chain stores will lead to the rise of more indie bookstores in communities again, run by people that stock not only the heavyweights, but also indie authors and small presses. We’ll have to wait and see how this all shakes out, and meanwhile, I’ll continue to ponder Adrienne Rich’s warnings.

 

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About Brian Fanelli

I'm a poet, teacher, music junkie and much more. My first chapbook of poems, Front Man, was published in 2010 by Big Table Publishing. My full-length book of poems, All That Remains, was published in 2013 by Unbound Content. My latest book, Waiting for the Dead to Speak, was published in the fall of 2016 by NYQ Books. My work has also been published by The Los Angeles Times, World Literature Today, Harpur Palate, Boston Literary Magazine, Kentucky Review, Verse Daily, Spillway, Portland Review, and several other publications. My poetry has also been featured on "The Writer's Almanac" with Garrison Keillor. Currently, I teach English full-time at Lackawanna College.
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