Where the Person and Political Intersect in Poetry

I’m fascinated by the notion of “political poetry,” of writing verse about social and political issues that withstands the test of time and does not become dated. It’s no easy task, and it’s a challenge that I’ve dealt with in my body of work. Recently, Poets’ Quarterly published my essay, “Going Inside the Cave: Where the Personal and Political Intersect in Contemporary Narrative American Poetry,” on this very topic. I looked at the work of four contemporary poets, Toi Derricotte and Terrance Hayes, specifically their address of personal history and racial issues, and Sharon Olds and Gary Soto, specifically their use of confessional poetry as a means to address issues of gender and identity.

I’d be interested in any comments and thoughts readers may have about the essay. I also encourage you to follow Poets’ Quarterly on Facebook and Twitter because the editors do a wonderful job of posting articles about the current state of contemporary poetry.

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About Brian Fanelli

I'm a poet, teacher, music junkie and much more. My first chapbook of poems, Front Man, was published in 2010 by Big Table Publishing. My full-length book of poems, All That Remains, was published in 2013 by Unbound Content. My latest book, Waiting for the Dead to Speak, was published in the fall of 2016 by NYQ Books. My work has also been published by The Los Angeles Times, World Literature Today, Harpur Palate, Boston Literary Magazine, Kentucky Review, Verse Daily, Spillway, Portland Review, and several other publications. My poetry has also been featured on "The Writer's Almanac" with Garrison Keillor. Currently, I teach English full-time at Lackawanna College.
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