It’s been known for a while now that Robert Eggers, director of The Witch, was going to release a movie shot on 35 mm and filmed in black and white. It was also stated early on that it would star Willem Dafoe and Robert Pattinson stranded on a mysterious New England island in the late 19th Century. Other than that, very little about the film was leaked. This week, however, the trailer finally dropped.
After watching this, I have many thoughts. First, the sirens and foreboding music that shortly follow the A24 opening credit are nerve-rattling, and after that, we get a little bit of the plot when Dafoe’s character asks Pattinson’s character what, exactly, would drive him to such an island. From the rest of the trailer, it’s clear that Pattinson’s character masks some kind of secret. We see him digging a hole shortly after Defoe’s character implies that he’s on the run from something. Did he commit a crime? Did he murder someone? We’ll have to see.
It’s also clear that this is going to be a film about descent into madness. We see the men hugging, drinking, dancing, shouting at each other, gripping each other’s throats, and losing all sense of time. One of them even chases the other in pounding rain with an axe! At one point, Defoe’s character asks, “How long have we been on this rock?” When he asks that, the camera pans to Pattinson, who looks pale, wide-eyed, and dazed. Other brief flashes of various scenes appear to be hallucinations, maybe?
Additionally, the film looks just as atmospheric and brooding as The Witch, and like Eggers’ previous film, nature’s not apt to be kind to the humans .In The Witch, the crops rot, thus causing the 17th Century Puritan family to blame it on witchcraft and the oldest daughter, Thomasin (Anya-Taylor Joy). In this film, it’s clear the sea is just as harsh, busting through the windows of the lighthouse, while thunder and lightening crack outside. Furthermore, that sense of isolation that the Puritan family faces, due to the fact they were exiled from their community, only deepens the eventual madness and unraveling. It appears isolation has a similar effect here.
The film is scheduled for wide release on Oct. 18.