I wanted to share two new reviews of my poetry collection, All That Remains. The first review was published in the Maine-based journal Off the Cost. Initially, the review was published in print only, but the editors recently uploaded content online. The reviewer, Richard Aston, says of the collection: “All That Remains works as a maturing of Fanelli’s previously published chapbook Front Man. Now he is in a position to branch out to the larger community beyond his personal experience, both in terms of personal story and time line; that which follows from the kind of study and scholarly research that will make him an excellent teacher and writer. The future may bring modifications in form, both of the line and the work itself. Whether the future form he uses is formalist or experimentimental, a doff to poetic traditions of rhyme and meter is in order.”
The other review was published by [PANK] today and written by Tricia Fidler, who had a lot of kind words to say about the book. She writes: “Like a Dylan or Springsteen record deserves more than one spin, Brian Fanelli’s All That Remains is a book that deserves more than one read. Rich in small town culture, this collection is filled with characters that have overcome the losses in life, but it doesn’t forget those who have not. It is down-to-earth and true to those often overlooked groups, the young idealists and the rural working class. Fanelli’s lyrical rhythms whisper and howl, croon and screech, reminding us there will be repercussions for every loss. At the same time, the collection leaves us with the extraordinary hope that it seems only music can bring. For whenever the music stops and all that remains are the ghostly echoes of silence, there will always be the remnants of a song.”
Many thanks to the writers for these reviews, and if you haven’t had a chance to pick up a copy of the book, please do. I’d appreciate the support. Let me know what you think of it!